#388- M

Quick recap: A child murderer is on the loose and everyone wants to see him caught: parents, the police and especially the criminals, whose good name is being ruined.

Fun (?) fact: Several groundbreaking techniques debuted in M, like voice-over narration and a musical theme to signify a character.

Bonus fact: Director Fritz Lang hired real criminals for the criminal court scene and several were later arrested.

Thoughts and Observations:

So, M was not the movie I expected at all. Not that I expected much because all I knew before watching it was that it was German and made in the early 30s. I pictured a mix of The Cabinet of Dr. Caligari and The Jazz Singer. Boy, was my face red when the very first scene was of a group of children singing a song about a murderer butchering them to bits! I still wasn’t quite sure what I had gotten myself into until a few scenes later when the little girl’s body has been dumped in a clearing and the camera focuses on her balloon, no longer tethered, drifting into wires above.

like most things made for children back then, this balloon is a whole other level of creepy

I would be simplifying things too much by calling M a ‘murder mystery’. Yes, murder takes place but Fritz Lang not only wanted to show how different sides were impacted but to get the audience to empathize with each one:

The parents: the first scene of a mother lovingly making lunch while waiting for her child to arrive home from school (which never happened) was especially heartbreaking to watch.

The citizens: The entire town was in a frenzy and willing to suspect literally anyone talking to a child but at the same time, they were dealing with a serial killer who left zero clues.

The police: It’s always fascinating to learn how police solved crimes before DNA matching. In this case, they had one fingerprint and……that’s about it. And the longer it took to catch the murderer, the greater change the city would lose their collective mind and more children would be killed.

The criminal underworld: Did NOT see this one coming but it makes sense. The police began raiding bars every night and rounding up anyone without papers because they had nothing else to go on. As a result, the criminals weren’t able to do their various illegal activities- plus, they are pickpockets not child killers.

and finally, the murderer himself, a former asylum patient released as cured but very much still sick. Played perfectly by Peter Lorre ( a little too perfectly because he had trouble shaking the role even years later), the murderer is so very creepy as he whistles ‘In the Hall of the Mountain King’. But I couldn’t help but have sympathy for him as he tried to outrun the mob. His most powerful scene comes during the ‘trial’ with the criminal underworld as he begs for mercy because he couldn’t help himself. And as disgusted as I was by his actions, I believed him. In the final few minutes of the film, the police arrive and arrest him before mob justice is carried out. He gets the treatment he needs but the parents are left asking if justice was really served. It’s a question we still ask to this day without any clear answer.

Watchability score: 5/5

Up next: Gabbeh

#385- Sabotage

Quick recap: A movie theater owner somehow gets involved with a terrorist group who want to SABOTAGE London. His wife and her little brother get dragged into the mess as well, which is usually how these things go.

The opening scene is a ‘Webster’s dictionary defines…’ trope

Fun (?) fact: Sabotage is not to be confused with the title ‘The Secret Agent’, the book the film is based off of. And also not to be confused with The Secret Agent, also directed by Alfred Hitchcock the same year but about something completely different.

Not many dames in this movie and only one spinning newspaper

Thoughts and observations:

This feels like my millionth Hitchcock film and although there were several director tropes I recognized, Sabotage still feels novel. I think what sold me is that the audience knows who the bad guys are from the very beginning so the tension comes from finding out when they will get their comeuppance. I really enjoyed the characters although I never really understood the relationship between Mrs. and Mr. Karl Verloc. They were married, obviously, but the two didn’t seem to match at all. Plus, there’s the dirty business of not knowing that her husband was a wannabe terrorist.

The best part of Sabotage is how dark it goes for a movie made in the 1930s. SPOILERS AHEAD. YOUVE BEEN WARNED.

I connected with Stevie, the little brother, early on in the film and appreciated how he could bring light into some really dark scenes. When Verloc told him to drop off the film canisters (along with the bomb) at Piccadilly Circus, I wasn’t worried because Hitchcock is known for building suspense. I actually just assumed that the bomb would be a dud so I audibly gasped when it went off and blew the bus up (along with Stevie). Hitchcock said he regretting killing a character the audience had learned to sympathize with and promised to never to do it again. Until Psycho, that is.  It’s a dirty trick but really effective.

The end of the movie was also a whirlwind that I’ll keep from spoiling except to say that although there is a resolution, people were still killed and harm was done. I appreciate when the main characters don’t live happily ever after but are instead left to pick up the pieces.

Watchability score: 4/5

Up next: Alice

 

#381- L’Atalante

Quick recap: Juliette marries Jean, a ship captain. She learns that living on a ship isn’t as romantic as it sounds and actually really sucks most of the time. Except for the cats, of course.

Fun (?) fact: This was the last film Jean Vigo directed before his death at the age of 29. This was definitely NOT a fun fact but it’s all I have. Have some more cats!

Thoughts and observations:

Excluding the fact that the wedding party was all dressed in black and somberly waved her off, I can’t imagine Juliette had any idea what she signed up for when marrying Jean. Maybe she imagined an exciting adventure as her new husband steered the ship to faraway ritzy places. Maybe she imagined settling into her role as caretaker for the shipmates and earning their respect in return. At the very least, she must’ve enjoyed the thought of being on the river, blue sky as far as the eye could see.

Instead, she got:

  • A very dirty ship with hardly enough room for everyone
  • Days full of fog and cold weather
  • cats. SO MANY CATS
  • Jules, who is best described by the picture below-

So, I’d say not an ideal beginning to any new marriage. I totally understand how frustrating it must’ve been for Juliette to be so close to Paris and not be able to experience it. Considering all the new situations she was thrust into, it’s a wonder she didn’t try to escape sooner. I really love how she tried to adapt to all these things and it was Jean who ultimately pushed her away. Which I guess is why working with a spouse is a bad idea, but that’s a rant for another day.

Jean Vigo may have been young, but he really had a strong understanding of couples and their needs in any relationship. It says something that I was able to identify with both characters, even when they were being ridiculous and stupid. Maybe I didn’t abandon my spouse in a foreign town without any money or way to contact me, but I know what that’s like to be angry at the person you love the most. The reunion at the end of the film, although a result of ridiculous coincidences, was very sweet and gave me hope for these characters continuing relationship.

Now, onto the most important part of the film: THE CATS. There were SO many cats of all kinds- old ones, kittens, hyper ones and honestly I could’ve used more of them. They are all taken care of by Jules, which I thought was a wonderful way to show his humanity even though he looked and acted so rough. My favorite scenes were when someone would be sitting somewhere and a cat would just fly into the scene because you know that had to be someone’s job. I don’t think I’d want to be a cat wrangler in another life but I would’ve loved to watch the mayhem.

Final review: 4/5

Up next: Gaav

#376- Earth

Quick recap: A group of farmers get together to buy a tractor which makes the landowners angry and then BOOM! Communism is formed.

Sunflowers are the gateway flower to other governments

Fun (?) fact: There’s a deleted scene where the villagers all gather and pee on the engine of the overheated tractor. It’s supposed to represent communism of course, but people thought the symbolism was a little heavy-handed.

Why yes, I do in fact have the score from Fiddler on the Roof stuck in my head now

Thoughts and Observations:

  • From what I can gather, the issue at hand is that these kulaks (landowners) realize that if they work together and share, they can be much more profitable. The other landowners decide against it and then get angry when collectivism works. Point: Communism
  • But I think at one point the villagers knocked down the resistant landowners’ fences, which just isn’t very nice. Point: Capitalism 
  • The landowners retaliate by having one of them murder the guy who bought the tractor. Point: Communism
  • The guy that was murdered was named Basil and he did this REALLY elaborate dance to show it to the angry landowners. Point: Capitalism
  • Basil’s father announces he is Atheist because of the murder and denies the priest the opportunity to officiate the funeral. Instead the villagers will sing songs about farm life and working. Point: Capitalism because that sounds boring as hell
  • The movie was very confusing because even the happy scenes were filled with ominous, angry music, like when the villagers used the tractor. I spent about 10 minutes thinking the tractor was evil because of the sound cues. Point: Capitalism, I guess.

Was title said in film?

Probably. The movie is silent with only a few cue cards so I’m sure it was muttered at some point, considering they are working the earth.

Final review: 2/5  capitalism wins again! But only slightly because if Communism had peppier music, I would’ve been all in.

Up next: The Ten Commandments