#381- L’Atalante

Quick recap: Juliette marries Jean, a ship captain. She learns that living on a ship isn’t as romantic as it sounds and actually really sucks most of the time. Except for the cats, of course.

Fun (?) fact: This was the last film Jean Vigo directed before his death at the age of 29. This was definitely NOT a fun fact but it’s all I have. Have some more cats!

Thoughts and observations:

Excluding the fact that the wedding party was all dressed in black and somberly waved her off, I can’t imagine Juliette had any idea what she signed up for when marrying Jean. Maybe she imagined an exciting adventure as her new husband steered the ship to faraway ritzy places. Maybe she imagined settling into her role as caretaker for the shipmates and earning their respect in return. At the very least, she must’ve enjoyed the thought of being on the river, blue sky as far as the eye could see.

Instead, she got:

  • A very dirty ship with hardly enough room for everyone
  • Days full of fog and cold weather
  • cats. SO MANY CATS
  • Jules, who is best described by the picture below-

So, I’d say not an ideal beginning to any new marriage. I totally understand how frustrating it must’ve been for Juliette to be so close to Paris and not be able to experience it.Considering all the new situations she was thrust into, it’s a wonder she didn’t try to escape sooner. I really love how she tried to adapt to all these things and it was Jean who ultimately pushed her away. Which I guess is why working with a spouse is a bad idea, but that’s a rant for another day.

Jean Vigo may have been young, but he really had a strong understanding of couples and their needs in any relationship. It says something that I was able to identify with both characters, even when they were being ridiculous and stupid. Maybe I didn’t abandon my spouse in a foreign town without any money or way to contact me, but I know what that’s like to be angry at the person you love the most. The reunion at the end of the film, although a result of ridiculous coincidences, was very sweet and gave me hope for these characters continuing relationship.

Now, onto the most important part of the film: THE CATS. There were SO many cats of all kinds- old ones, kittens, hyper ones and honestly I could’ve used more of them. They are all taken care of by Jules, which I thought was a wonderful way to show his humanity even though he looked and acted so rough. My favorite scenes were when someone would be sitting somewhere and a cat would just fly into the scene because you know that had to be someone’s job. I don’t think I’d want to be a cat wrangler in another life but I would’ve loved to watch the mayhem.

Final review: 4/5

Up next: Gaav

#376- Earth

Quick recap: A group of farmers get together to buy a tractor, which makes the landowners angry and then BOOM! Communism is formed.

Sunflowers are the gateway flower to other governments

Fun (?) fact: There’s a deleted scene where the villagers all gather and pee on the engine of the overheated tractor. It’s supposed to represent communism of course, but people thought the symbolism was a little heavy-handed.

Why yes, I do in fact have the score from Fiddler on the Roof stuck in my head now

Thoughts and Observations:

  • From what I can gather, the issue at hand is that these kulaks (landowners) realize that if they work together and share, they can be much more profitable. The other landowners decide against it and then get angry when collectivism works. Point: Communism
  • But I think at one point the villagers knocked down the resistant landowners’ fences, which just isn’t very nice. Point: Capitalism 
  • The landowners retaliate by having one of them murder the guy who bought the tractor. Point: Communism
  • The guy that was murdered was named Basil and he did this REALLY elaborate dance to show it to the angry landowners. Point: Capitalism
  • Basil’s father announces he is Atheist because of the murder and denies the priest the opportunity to officiate the funeral. Instead the villagers will sing songs about farm life and working. Point: Capitalism because that sounds boring as hell
  • The movie was very confusing because even the happy scenes were filled with ominous, angry music, like when the villagers used the tractor. I spent about 10 minutes thinking the tractor was evil because of the sound cues. Point: Capitalism, I guess.

Was title said in film?

Probably. The movie is silent with only a few cue cards so I’m sure it was muttered at some point, considering they are working the earth.

Final review: 2/5  capitalism wins again! But only slightly because if Communism had peppier music, I would’ve been all in.

Up next: The Ten Commandments

#373- Judge Priest

Quick recap: A judge dispenses good ol’ Southern wisdom with a lot of love and just a touch of racism.

Fun(?)fact:  Stepin Fetchit played Jeff Poindexter, a ‘stereotypical 19th century black male’ in Judge Priest. Despite mostly playing dim-witted characters on screen, Fetchit was considered very aggressive and cunning when it came to getting compensated like his white co-stars. He was one of the very first Black actors to fight for equal treatment in the entertainment industry.

My thoughts: If there is one thing I learned from this movie it is this: If you ever find yourself on trial in the Deep South, tell a story about your confederate great-great uncle while someone whistles Dixie. It’s apparently that simple. In fact, tying an issue somehow to the Civil War could really solve all of our current problems. See, many people in the South don’t believe that global warming exists and why should they? Right now it’s only affecting penguins and polar bears up north. However, rising oceans will become a problem very soon for states like Mississippi and Alabama, and there are a lot of confederate cemeteries there. Doing something about climate change pays honor and respect to those brave, racist soldiers!

Stepping off my soap box and back into this review, I really enjoyed most of this movie even though parts made me really uncomfortable. Judge Priest was a sweet guy and got along with almost everybody. And I think he was a good judge too, although a bit mischievous, like paying Poindexter to play Dixie to tug at the heartstrings of the jurors . Still, it seems as though 19th century Southern small towns weren’t really concerned with following all laws, as long as justice was served at some point. The beginning of the movie has Jeff Poindexter in front of Judge Priest, accused of stealing chickens. It seems an easy conviction until Priest reminds the prosecutor about various times he did basically the same thing. Maybe that wouldn’t fly in a big city but in this instance, people were satiated with the outcome.

It’s hard to land on a true opinion about this movie because so much of it is steeped in racist culture. Poindexter and Priest are considered friends but he still bosses him around and has him do unethical things for money as his puppet. And Aunt Dilsey is a sweet housekeeper but very stereotypical in that she lives for taking care of Priest and her main social activities consist of cooking and going to church functions. Still, there are glimpses that the director very much knew that these black actors were capable of so much more but maybe the audience wasn’t ready. It’s surprising to see a film about the South not completely turn into African-Americans being the butt of all the jokes. But maybe I’m just surprised because the bar is set so low.

Final review: 3/5

Up next: Toy Story

#371- Bringing Up Baby

Quick recap: A woman with a pet leopard forces a hapless scientist to fall in love with her. Congrats?

It happens to the best of us

Fun (?) fact: Bringing Up Baby was considered a commercial failure at the time. It was so bad director Howard Hawks was fired from RKO Pictures and Katherine Hepburn was considered ‘box office poison’.

All cats interrupt phone calls, no matter how big or small they are

My thoughts: Bringing Up Baby is the original ‘screwball comedy’ because literally everyone is insaneHoward Hawks, in discussing why the film did so poorly, hypothesized it was because there’s no straight man to calm things down. Everyone, from the constable, to the housekeeper and to the main characters has their own ridiculous personality. Susan, played by Hepburn, exists as pure chaotic energy. She’s the first Manic Pixie Dream Girl! Everything she does sets off consequences (usually negative) to those around her, especially David, whose only fault is that he engaged with her. After that, it was all over. From what I’ve seen, it’s this frenetic pace that also helped turned audiences off. It was too witty, there were too many jokes being thrown around and too many characters who needed the spotlight. I’ve seen all sorts of comedies and this movie was ridiculously fast even for me.

But I still loved it. The main draw for me is the attraction Cary Grant and Katherine Hepburn had. They were perfect to play opposite each other. Grant was a seasoned Vaudeville actor so slapstick comedy was nothing new for him, but Hepburn had never done anything quite like this. I think what makes her so successful is that she truly enjoyed herself. You can see how much fun she is having causing all this trouble and seems perfectly at ease in front of the camera. It’s hard not to fall in love with her. I enjoyed all of the acting, really, because in this movie, there was no such thing as over the top. And of course the leopard was just icing on the cake. I was worried he would be used to do tricks and would be seen throughout the whole film, but that wasn’t the case. He’s integral to the plot but he really isn’t shown all that much.

Despite how well Susan and David worked together, their romance made me all sorts of uncomfortable. I know that’s the joke but she really did ruin so much of his life in 24 hours, including the final scene when she destroys his life’s work in a matter of seconds. Still, he tells her that their time spent together was the happiest in his life so far so maybe this will be the beginning of changes for him. One can only hope.

Final review: 5/5

Up next: Beauty and the Beast