#322- Vertigo

Quick recap: reasonable behavior- developing a fear of heights after seeing a guy fall off a roof. Unreasonable behavior- falling madly in love with the woman you are supposed to be following because her husband thinks she’s crazy. Even more unreasonable behavior- causing more people to jump to their deaths from a roof.

Another reference I now understand!

Fun (?) fact:¬†Vertigo bombed at the box office and Alfred Hitchcock put the sole blame on James Stewart for being too old, despite having collaborated with him several times. They never worked together again ūüė¶

All hail James Stewart!

My thoughts: This is either my 7th or 8th Hitchcock film and they just keep getting better. Hitchcock is best when he goes dark-whether it’s the macabre dialogue in Strangers on a Train or the serial killer plot of Frenzy. Vertigo is no exception. This was my first time watching it and about the only thing I knew was the fear of heights. There’s a twist at the end that I didn’t see coming and when everything is revealed at the end of the film, I audibly gasped. It’s so rare these days to not be spoiled.

Vertigo’s strong points are its visuals, a very Hitckcockian thing to focus on anyway. Every scene looked like danger was just around the corner and it kept me on my toes to figure out what was going to happen next. The shots of John Ferguson freaking out while climbing stairs are iconic but I gravitated more towards the little scenes, such as John watching Madeline at the art gallery or him watching her drive off in her car. It was a wonderfully creepy feeling to not know whom to be more concerned about.

Knowing what I know about Hitchcock, it’s really not much of a surprise how he chose to portray the women in the film. There’s Midge, possibly still in love with John, and jumping at every chance she can to be near him. And then there’s Madeline, who thinks she is the reincarnation of Carlotta Valdes, a woman who died a hundred years ago. Neither woman gives off a strong independent vibe and it’s a little frustrating to watch a whole movie about women fighting over men and needing them to survive. On the other hand, it makes for a compelling movie where you don’t really root for anyone.

always a Midge, never a Madeline

Final review: 5/5

Up next: Sunset boulevard

 

 

 

 

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#317- Audition

Quick recap: A director uses the audition process to find an actor for his film as well as a wife. What he gets instead is a big ball of crazy.

Crazy, yes, but also really talented at torture, so points for that

Fun(?) fact:¬†That was totally actress Eihi Shiina’s (Asami’s) throw up given to the prisoner. IMDb says she’s a method actress but I’m going to double down on ‘big ball of crazy’.

My thoughts:¬†As with every Horrorfest, my goal is always to find the movie that scares me most. Being an adult, it’s hard to latch on to anything creepy these days. I’m more likely to freak out about whether I paid a bill on time than if there is a ghost haunting my house. Then again, the other day I walked into my bedroom to find my cat meowing at the wall and it scared me so much I just walked back downstairs. So, where does Audition fall on Mary’s Spectrum of Horrors? I’d say it’s scarier than a wind turbine (seriously, those things are so unnerving) but not as scary as my child silently walking down the stairs with an astronaut helmet on at 6 in the morning.

There were definitely parts of Audition that stuck with me and I thought the film itself was gorgeous, in that ‘someone’s about to get murdered’ way, but I can’t say it was enough to keep my interest for long. I was really surprised by how normal everything seemed in the beginning and I admit to be lulled into a false since of security. But then unnerving information started coming to the surface and soon it was just all out crazy. I don’t want to reveal much because I think that’s the film’s best quality: surprise.

Two elements of the film keep me from giving it a higher rating- the over the top torture, and the explanation as to why the woman turned out the way she did. For some people, these elements are what make the movie so fascinating and scary but personally, it detracted from what I was looking for.

Final review:3/5. Not a strong start to Horrorfest but there are several days left in the month! The search continues.

Up next: more Horrorfest!

 

 

#291- Lone Star

Quick recap: Everyone has daddy issues- a deputy, the owner of an historic bar, an officer in the Army. Practically the whole town could use some counseling.

daddy issues, both of them.

daddy issues, both of them.

Fun (?) fact:¬†The movie playing when young Sam and Pilar are making out is Black Mama White Mama, a nod to Pilar’s secret¬†heritage.

It's Bailey from Grey's Anatomy! She probably has daddy issues also, although it's never stated outright

It’s Bailey from Grey’s Anatomy! She probably has daddy issues as well, although it’s never stated outright

My thoughts: SPOILERS AHEAD. YOU’VE BEEN WARNED.¬†

I watched this movie almost a week ago and, except for the DVD skipping at the end, had a pretty uneventful time. I started writing my review the next night, as I am wont to do and as I looked up trivia, I noticed people discussing the ending and debating what happened. It was very obvious to me that the two main characters ended up together and everything was nicely tied up so what’s the controversy? That’s when I realized that the DVD skipped at the exact moment Sam revealed that he and his lover Pilar were Luke and Leia-ing it up as half brother and sister. And in the end decided ‘screw it!’ and stayed together. The lesson of this tale is that maybe it’s time for the DVD to die out. It makes me wonder how many critical scenes I have missed in the past due to a scratched disc.

So, weird French Film twist ending aside the movie was just ‘meh’ for me. The bulk of Lone Star is about Sam coming to terms with who his father, a police officer, really was. The town saw him as a saint but Sam only knew him as a person he clashed with in his teenage years and didn’t feel close to. There is one scene when young Sam and Pilar are at a drive-in and the police break into the car and separate the two of them. Grownup Sam uses this scene as a way to show how strict his father was, but knowing the ending that they are actually siblings, totally makes sense why he wouldn’t want them together. And then there’s this mystery about an evil, racist deputy that goes missing and Sam thinks his father may have killed him, which would prove he wasn’t such a good guy after all. But really, that proves nothing because the deputy in question murdered a lot of innocent people and needed to be stopped.

There were all these other characters in the town that had their own issues with family and everyone is of course connected somehow in the end. Most of the time I felt like I was watching a television season than a movie. Maybe that would’ve been a better format for this story because it just dragged on and on at times. There were a few revelations that I would label shocking, but I could see them rolled out as a season finale or something, not all thrown into one heap.

Final review: 2/5

Up next: The Graduate

 

 

#290- Glengarry Glen Ross

Quick recap:¬†Real estate agents race to close on deals anyway they can. First prize is a car, second prize is a set of steak knives and third prize is you’re fired.

Y'all got anymore of those good leads?

Y’all got anymore of those good leads?

Fun (?) fact:¬†From IMDb, ‘Every since its release, this film has been used to train real life salesmen how to sell and how not to sell.’

I have a new appreciation for Gil now

I have a new appreciation for Gil now

My thoughts:¬†From the millions of career choices out there, I think sales sounds like the absolute worst. You may say, ‘But, Mary, what about the person who has to clean out septic tanks?’ Yes, that job is gross, but it wouldn’t send me into a panic like sales. I worked at an H-E-B back in college and just offering the sale item as people checked out was enough for me to have a panic attack. And before that,I worked at a pizza place where I was always encouraged to ‘upsell’ by offering a large for just a few cents more. Did I do even that most simple task? Nope. Sales is the worst. Case closed.

That’s why I loved watching a movie about salespeople because they are so drastically different than my life. Every character in Glengarry Glen Ross is the worst. There is literally no one to root for by the end of the movie. They spend the entire film out-slimeballing each other and it is so fascinating to watch.¬†It also helps that the cast is phenomenal- Al Pacino, Jack Lemmon, Alan Arkin, Ed Harris and my favorite-Alec Baldwin, who I thought would be the villain, but who turned out to be a perfect motivational speaker. I’ve sat through sales pitches before and as frustrating as they are, now I can imagine the hoops they must be jumping through to get me to commit and what glorious prizes await if I just say yes (coffee’s for closers, you know).

I think what I loved most about the movie was that I kept thinking someone would snap and it just never happened. ‘Surely this will be the straw that breaks the camel’s back,’ I said over and over again, but the race to the bottom continued. And the best part is knowing that this was just one slice of a day for these real estate salespeople. How many times have they had these arguments? How many times have they conspired to steal leads? How many cars have been given away as incentives? It’s this perspective on the American Dream I can’t stop thinking about. It seems such a miserable existence and yet these guys live on it, thrive on it. And I’m so grateful I don’t have to do that for a living.

Final review: 5/5

Up next: Lone Star