#55- Dawn of the Dead

Quick recap: The undead have arrived and they are everywhere, just waiting to sink their teeth into some tender flesh. What better way to survive than holed up in a mid-70s shopping mall?

ok, so this is a mid-80's shopping mall. But still. NOSTALGIA!

ok, so this is a mid-80’s shopping mall. But still. NOSTALGIA!

Fun (?) Fact: Tom Savini, who did all of the make-up and special effects for the film, worked with only a crew of 8. He and his crew applied makeup to about 200-300 extras every weekend during production.

Dawn_of_the_Dead

My thoughts: I am SO over the zombie craze that has been going on the past few years. Zombie movies, zombie books, zombie shows, zombie 5K-WHY is that even a thing? I personally tend to find most zombies terrifying, but the proliferation of them in all forms of media has made them nothing more than an annoyance. I inwardly groaned as I put in the DVD for Dawn of the Dead, but realized about a third of the way through that this was exactly what I needed to appreciate the monster that is the zombie. It was breath of fresh air- or, about as fresh as you can get with dead people.

Watching the first part and seeing zombies getting their heads blown off did not interest me at first and the scenes of them tearing into people’s shoulders and arms was gory, but not scary. It wasn’t until the shopping mall that I could finally be creeped out. What I love about this portrayal of the zombie is that they are relentless. They aren’t overly aggressive, meaning they won’t jump on you from out of nowhere and bite you, but they do not give up. After everyone had been at the mall for a few months, there were STILL zombies pawing at the door, trying to come in. And anytime one of the characters got too close, the zombie wouldn’t speed up but instead just keep moving forward until he was ultimately successful. Watching the Mall Zombies shuffle around was humorous at times, especially when they were on the escalator, but by the end of the film, with Stephen having turned, it became truly frightening.

That's some excellent zombie-ing, right there.

That’s some excellent zombie-ing, right there.

Now, as for the central point of the film-that a shopping mall is the best place to survive, I can see both sides of the issue. First of all, the malls of today are in no way equipped for long term living. Corporations have taken out all the gun shops and the only food you can find nowadays at a mall is Sbarro pizza and sometimes Cinnabon, if you are lucky. Let’s face it, we wouldn’t last long. Sure, I’d have my Old Navy Pullover to comfort me, but it isn’t good protection against a zombie. If I had to choose a modern day place, I’d go for something like the Amazon warehouse because I’m pretty sure that place would have everything you needed. My first instinct was to say Wal-Mart, but it is only one story and there aren’t that many good hiding places.

The theme of the movie that consumers are basically zombies is still spot on. Many times during the film, Peter mentions that the zombies come to the mall because they remember it and they feel like they need to be there and that is still true. Watch the news about Black Friday this year and when the picture of the shoppers clawing at the door appears, try to imagine everyone with a bluish tint and blood everywhere. It’s totally the same as a zombie!

I get it now. Best pop culture reference ever.

I get it now. Best pop culture reference ever.

Final review: 5/5. This is a true zombie movie and what everyone else tries to be.

nightmares? Totally. I didn’t think the zombies were all that terrifying until about 3 in the morning when I swear I could hear shuffling upstairs.

Up next: just one more movie left for Horrorfest!

 

 

#52- Alien

Quick recap: The crew of the Nostromo, a cargo spaceship, must investigate a signal coming from nearby. What is initially interpreted as an SOS signal, the crew finds out was actually a warning they were listening to.  The alien brought on board the ship wreaks havoc and murders everyone except Sigourney Weaver, because she’s a cat person.

It comforts me know I could survive an alien attack

It comforts me to know I could survive an alien attack

Fun (?) Fact: From IMDB: According to Ridley Scott in the DVD commentary, he had envisioned a moment in the ending scenes of Ripley and the alien in the space shuttle in which the alien would be sexually aroused by Ripley. Scott says that in the scene, after Ripley hides in the closet, the alien would find her and would be staring at her through the glass door. The alien would then start touching itself as if comparing its body to Ripley’s. The idea was eventually scrapped.

My thoughts: Alien is one of those movies I should’ve seen a long time ago, but never got around to actually sitting down to watch. When I saw it at the Drafthouse a couple of days ago, the manager of the theater asked everyone to raise their hand if they had never seen Alien before. Only one person raised his hand, as he was apparently more brave than I am when it comes to being publicly humiliated.

Alien also has the distinction of being so ingrained in pop culture, that I feel like I have seen it a million times already. There weren’t any scenes that really shocked me, save for the one where the crew finds out Ash is a robot. I really enjoyed that twist, especially adding in the fact that it was the government who had known and wanted the alien all along.

The alien itself was perfectly terrifying. I still don’t really understand it’s reproductive and incubation methods, but whatever. The facehugging scene creeped me out, as Ash describes what the alien is doing to Kane’s body. And of course, the chest bursting scene was gross but I had seen it parodied so many times that it didn’t bother me. There were parts of the movie that made it really hard to comprehend that Alien had been made in 1979. It’s amazing to see what special effects had to do to portray certain things, without the aid of computers to just draw it in.

hello-hugs

 

Overall, I can’t really say much about this movie that hasn’t been said a billion times, and for good reason. Alien is the very definition of a ‘classic’ film that will live on for many more years. Although I wasn’t scared at any point, I enjoyed myself immensely and being able to watch it on the big screen made the experience even more enjoyable.

I was so excited to come up with this observation, only to find out that people already beat me to it.

I was so excited to come up with this observation, only to find out that people already beat me to it.

Final review: 5/5. A perfect movie from beginning to end.

Nightmares: none this time, which kind of surprised me. I had a huge fear of aliens back when I was a kid, thanks to that show, Sightings, that would air late at night. Living in a rural area, I truly believed I would be abducted at any second.

Up next: Horrorfest continues!

 

#44- All the President’s Men

Quick recap: In the early 70’s,  journalists Bob Woodward and Carl Bernstein were responsible for bringing the Watergate scandal to light. What starts out as a minor break in at the Democratic Headquarters eventually leads higher and higher up into the Republican Party and eventually implicating  then-President Nixon. SPOILER ALERT- Nixon is forced to resign.  I apologize if anyone was spoiled by that previous statement.

This was supposed to be an image of 'Deep Throat'. I don't suggest Googling the title.

This was supposed to be an image of ‘Deep Throat’. I don’t suggest Googling the title.

Fun (?) Fact: The movie was originally shot inside the real Washington Post office, but workers kept trying to get screen time so they rebuilt the office on a sound stage . The office shown on the film has meticulous details like real stickers and phone books that had been used during the scandal.

My thoughts:  I love politics. I love movies. But I do not enjoy political movies, for the most part. In fact, the only movie I can recall really loving was ‘Frost/Nixon’, so maybe I just have a thing for Nixon? Personally, I find him to be one of the most interesting presidents we have had. Not one of the best, but interesting.

Richard Nixon's Head

 

This movie was odd in that I was really drawn to it at the very beginning and very end, but the middle was a little tedious at times. Maybe it was because I already knew the outcome, but I was rather bored sitting through several scenes of Woodward and Bernstein calling people. It just seemed too true to life for me at the point. On the other hand, the film did a great job turning phone calls into AMAZING REVELATIONS!. I’m thinking of one scene where Bernstein calls the librarian and asks her about books that have been checked out. She admits to seeing the person but then a few minutes later denies ever hearing the man’s name. Riveting stuff, really. It was around this point, that I had my own AMAZING REVELATION. As I was watching Woodward and Bernstein combing through the library records, it occurred to me that I was looking at this film from the entirely wrong perspective: This movie was not about Watergate, but instead about journalism itself. After realizing this, I found myself enjoy the movie much more.

Being married to someone who was a journalist at one point and eventually changed careers because print media is dying, made this movie all the more poignant. I was amazed by how much WORK went into blowing a scandal open like this. Every tiny detail had to be researched and then confirmed by several sources before it went to print. The journalists involved gave every waking moment to investigating the scandal and it paid off. I can’t really comment on the state of things now, seeing as I don’t have first hand information, but I imagine that investigative journalism just isn’t the same anymore. There is one scene in the beginning of the movie where Woodward is trying to figure out a name on a list. He asks his boss, who happens to know what the man’s title is and it is that knowledge that helps move the investigation further along. Had this happened in modern times, Woodward would’ve simply Googled the name, maybe emailed the guy and waited around. I love me some technology, but there is something to watching how all of the clues are being put together without a use of a computer, just by talking to people. I loved how Woodward and Bernstein could make people talk. It wasn’t like the sources had a reason to give info and many were afraid to do so, but they helped anyway and it helped bring down the presidential office, eventually. I see it on Twitter, both political parties always looking for their ‘Watergate’, but the thing is, that was a once in a lifetime story, and even then may have amounted to nothing if it hadn’t been for those two.  It’s a truly fascinating film to watch, if only to see the final death knell of traditional investigative journalism.

Robert-Redford-Screening-All-the-Presidents-Men-Revisited-in-Washington-DC

 

Final review:  4/5. The final few moments are some of the best in cinema history: Woodward and Bernstein writing the piece that finally blows everything open, as they watch Nixon’s inauguration on tv and the metaphor of the cannons blasting. And then summing up the rest of the events of Watergate, using the typewriter. Watch this movie, if only for these scenes. allthepresidentsmentypewriter

Up next: The Silence of the Lambs

#41- El Topo

405_20120507203651_every_word-2

 

Quick recap: Oh, boy. So there’s this cowboy, called El Topo, who is sort of like God? And he travels around with his naked son as they go around the country killing bad guys. Simple enough, right? But then this girl shows up and El Topo calls her Mara and they do crazy stuff and she convinces him to fight 4 gun masters, as if that won’t end badly. And he does because he wants to keep having sex with her. Being the badass that he is, he indeed conquers all gun masters but does so by trickery and feels guilty about it because he is God. Or something. And then to top it off, Mara runs away with some chick with a man’s voice who shoots him all stigmata style before they run away together. End scene. The second part is even weirder and it involves little people and disabled people and El Topo getting involved in a cultist village and knocking up some girl. My brain exploded at this point.

Fun (?) Trivia: Alejandro Jodorowsky, who played El Topo, cast his young son in the movie to play the naked kid running around in the desert. That’s sort of a messed up thing to do and apparently Jodorowsky felt bad about it at some point and invited the boy to the backyard to dig up a toy and picture of his mother, just like the beginning scene. He then said ‘Now you are 8 and you have permission to be a kid’. Still doesn’t quite make up for your dad showing the world your junk at 6 but it’s something, I suppose.

el_topo

 

 My thoughts: 5 minutes into the film and I think I literally yelled out, ‘WTF!’ as El Topo guides his naked son among the bloody dead villagers. They come across a man who is dying and being the good father that he is, hands the gun to the boy to put the man out of his misery. After that there is some crazy nonsense with the bandits doing all sorts of sadistic stuff to a group of monks and I think at one point I just shrugged my shoulders and told myself to just stop thinking because it wasn’t worth it.

This is the sort of movie that screams, ‘art house’. Jodorowsky is some sort of crazy intellectual guy and put a ton of references to religion into this film of which I caught maybe 10%. It was only after reading the Wikipedia page for this movie that I realized the 4 gun masters represented different Eastern religions. I still don’t know what they are and as I have mentioned, my mind exploded at some point so I don’t care to look it up.

As a whole, El Topo is disturbing. Everything from the nudity to buckets of blood, to the exploitation of the disabled and little people. I knew at some level I was supposed to watch this all the while stroking my fake goatee and taking long puffs of my cigar and every few minutes leaning back and saying, ‘ah,yes. Clever fellow, this Jodorowsky’. But there were too many scenes that I just couldn’t get past. El Topo reeks of pretentiousness, and to find out John Lennon financed its release makes all the more sense.

In order to find some sort of positive in this movie, I will admit that I thought the ending was rather fitting, as El Topo set himself on fire and his son donned the black suit and became the new El Topo. I also liked that last scene because it meant the movie was OVER.

I'm just going to leave this here and let it haunt your dreams.

I’m just going to leave this here and let it haunt your dreams.

 

Final review:  1/5. I understand why this film was included on the list but I’ll be damned if I have to sit through it again.

Up next: Batman

at least he can play a mean flute

at least he can play a mean flute