#186- Fantastic Planet

Quick recap: A race of super huge blue people (Draag) oppress a race of teeny tiny humanoids (Om).

how I feel at the end of the week

how I feel at the end of the week

Fun (?) fact: The ‘Om’ race is a word play on the French word for man, ‘homme’

This movie had a lot going on

tbh, how congress should solve most issues

My thoughts: I’m still choosing movies at random, so it surprised me how many science fiction films I have seen lately,this one being my second French sci-film when I thought there weren’t any. Actually, Fantastic Planet started out in Czechoslovakia but had to be moved to France because Communists aren’t really fans of being made fun of. Go figure.

I full heartedly expected to not like this movie, but within minutes of its opening sequence, I was sucked in. For starters, I had no idea that Fantastic Planet would be animated, and man is it a trippy movie. It kind of reminded me of the Monty Python sequences, but much longer and weirder. The planet that the Draag live on is as strange as it gets, which I loved because the director could’ve used a somewhat familiar landscape but instead just threw in a ton of crazy plants and animals just for the hell of it. There is a scene where the planet is covered in crystals and the Om protagonist, Terr, gets caught in one. His master, Tiwa, simply whistles and the crystals disintegrate. Why crystals? Why whistling? No clue, but it adds to the idea of these humanoids being trapped in such an unfamiliar place.

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As with most sci-fi and horror films, the best ones are those that can be related back to real world events. In the case of Fantastic Planet, it is literally about the Soviet invasion in Czechoslovakia. It was very easy to see the parallels while watching the movie, which is nice, but not so glaringly obvious that it felt preachy. In the movie, Terr is kept as a pet by the Draag child Tiwa. Through an accident, he is able to absorb the lessons his owner listens to, thus gaining all knowledge he will need later on to defeat the Draag. The ending is an optimistic one: the Om travel to the Strange Planet, an uninhabited place where the Draag send their meditations. While there, they are able to find their weakness and use it to overpower them. The Draag, knowing that they have lost, admit defeat and give the Om their own planet to live on without fear of extermination, named Terr.

Final review: 5/5. I don’t know how popular this film is, but anyone who loves science-fiction should watch it, if they haven’t already. Essential viewing.

Up next: Requiem for a Dream

#172- Being There

Quick recap: A man who isn’t very bright somehow gets himself wrapped up with some of America’s most powerful politicians

 (Photo by Cooper Neill/WireImage)

(Photo by Cooper Neill/WireImage)

Fun (?) fact: from IMDb, because I couldn’t have said it any better, “The inscription “Life is a state of mind” is on Rand’s tomb and also serves as the last line in the movie. These words were also inscribed on Peter Sellers’ own tomb, when he died a year after the movie was released.

My thoughts: This movie was wonderful but it is so difficult to settle on why exactly I loved it so much. Being There is one of those movies where you spend the entire time feeling sorry for the protagonist, almost cringing at times, yet wanting him to succeed despite it all. A couple of examples come to mind: 40 Year Old Virgin and Stranger than Fiction (but not Forrest Gump. A different rant for a different day, my friends).

So, on a completely superficial level, the premise of this movie is hilarious. Peter Sellers plays Chance the gardener, who is LITERALLY a gardener and everything he says has to do with either gardening or tv, another favorite past time. At one point, Chance gets an opportunity to sit down with the President and talk about the economy. The President wants to know Chance’s thoughts on its current state and he responds by naming the different seasons. The President interprets what Chance is saying as the economy is growing and will continue to grow with a proper gardener. Women are just as enamored as the President is and with every weird thing Chance does, people see it as something profound.

Being There is as deep as you make it. Like Chance the gardener, the movie itself is a vacuum for which you can project whatever meaning you would like. Racial inequality? Political ineptitude? The clueless rich? It’s all there for the interpretation. Or you could just sit back and laugh because it’s good for that, too.

Final review: 5/5. Also, Satine from Moulin Rouge absolutely recreates a scene from this movie. If not for anything else, watch Being There for that.

Up next: The Battle of Algiers

#165- Close Encounters of the Third Kind

Quick recap: The aliens have made contact and they don’t want to murder us after all! (that we know of………yet)

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Fun (?) fact: The cast and crew of Close Encounters of the Third Kind were all lame. The little kid in the movie, Cary Guffey, was really good at nailing his scene so Spielberg had shirts printed that said ‘One-Take Cary’. In another highly hilarious t-shirt creating story, actor François Truffaut said his line ‘they belong here more than we’, but the crew heard it as ‘Zey belong here, Mozambique’ so of course they had to commemorate it somehow. I just imagine a whole bunch of lame dads running around the set yelling, ‘that’s hilarious! Put it on a t-shirt!’ and then laughing uproariously.

This, I would buy.

This, I would buy.

My thoughts: A bonus fun fact to make up for the lame one earlier: I’m terrified of aliens. Now, to be fair, I’m terrified of almost everything from spiders to wind turbines to  glow in the dark books. Aliens have a been a weird constant, however, and it feels nice to finally get that off my chest. I don’t even know where the fear began, except it might have something to do with the tv show Sightings that used to come on late at night and the fact that I lived in a small town. It’s always the small towns that are affected, for some reason. Anyway, although I have seen Close Encounters of the Third Kind before and I know how the movie ends, I still expected an ending where the mother(?) alien comes out of the ship and obliterates everyone. Actually, I would’ve preferred that over the sickingly sweet aliens Spielberg dreamed up.

I should also mention that I’m not one of those people who hate Spielberg. He’s iconic, one of the best directors of the last half century. But in being so prolific, he has also amassed quite a few tropes that are hard to ignore the more I watch his films. One of them is the Happy Ending, in which everything works out for good ole’ Roy. He’s the main character, a normal guy who has a CLOSE ENCOUNTER OF THE THIRD KIND and becomes drawn to the Devil’s Tower for some reason. Along the way, his story is actually pretty dark with his family basically abandoning him because he can’t perform basic tasks like eating mashed potatoes and not filling the entire home with shrubbery and dirt. But in the end, it’s all ok because the creepy alien children choose him to live on their spaceship and form a circle around him, as if he is now their god.

simpsonscloseencounters

All that out of the way, I actually really enjoyed the film. I have no idea how realistic it all is, but the scenes in the beginning with the power going out, the mysterious wind and the magnetic forces all seemed plausible. The scene where the kid Barry is abducted also seemed realistic and terrifying and maybe gave me nightmares later on. Finally, my cold heart that wanted to scoff throughout this whole movie and join the ranks of Spielberg haters was ultimately warmed by the musical conversation that occurred between the scientists and the mother ship, which also included a nice Jaws reference. Prolific can be a detriment at times because it can cause excellent directors to fall back on tropes, but it also means that you end up with a director who knows how to create a story and capture the audience. Good going, Spielberg.

Final review: 4/5. Not perfect, but enjoyable and utterly terrifying.

Up next: Downfall

#153- Straw Dogs

Quick recap: An American and his English wife move back to her childhood town where everyone is out to get them. It’s seriously messed up.

Thankfully, the movie and song aren't related. *shout out to the two of you who get this!*

What does it take to be a super hero in my world?/make no mistake that these villains always get the girl/we can escape and then we’d skate away from all of this/ but no one ever does

Fun(?) fact: Dustin Hoffman says he only took the role for the money. Not being a fan of violence (most people aren’t, buddy), in the scene where Hoffman beats a guy to death on the floor, he instead used coconuts to hit. You can see bits of it flying around in the movie during that scene.

at times, Hoffman reminded me of a much darker Ted Mosby. Now THAT would've been a more controversial ending to HIMYM

at times, Hoffman reminded me of a much darker Ted Mosby. Now THAT would’ve been a more controversial ending to HIMYM

My thoughts: Oh, boy. At first glance, this is just a very violent movie. When I finished it the other night, I was ready to give it a 1/5 because it made me so uncomfortable. The more I thought about it, though, the more Straw Dogs began to remind me of A Clockwork Orange, another seemingly senseless violent movie that actually has a deeper meaning.

So, first of all, I suppose I should start with the concept of a ‘straw dog’. Straw dogs were ceremonial objects in Ancient China, but the reference in this film comes from an old text that says, ‘Heaven and Earth are heartless / treating creatures like straw dogs’. So I guess that would make the characters David and Amy the straw dogs? Honestly, the whole thing is beyond my ability of thinking. What I got from the movie is that violence is not always personal, it just happens and as David showed in the end, violence is in all of us. What a fun lesson!

The beginning of Straw Dogs confused me because the editing was so weird. It would jump to David and Amy about to have sex and then in the very next scene, she is crying in his office after he has said something to hurt her feelings. It made everything seem so turned around and off-putting, which is exactly what director Sam Peckinpah wanted the viewer to feel. And as for that rape scene most people know this movie by, I think it’s vitally important to discuss, since it has become a controversial issue lately. Rape has always seemed black and white to me but then in watching Straw Dogs, I get the grey line- what if a woman consents at first, sends mixed signals, or appears to enjoy herself? It’s still rape and there is still a crime being committed, yet some people feel that it legitimizes it in some way, as if there is only one kind of rape to be had.

Final review: 4/5, but grudgingly. Also, there’s a dead cat so I’m not giving it a full 5.

Up next: The House is Black