#207- Hoop Dreams

Quick recap: This documentary follows two inner city kids from Chicago as they chase their dream of playing professional basketball.

Meanwhile, my basketball skills.

Meanwhile, my basketball skills.

Fun (?) fact: When Hoop Dreams failed to get a nomination for Best Documentary, it pissed Roger Ebert off. He researched the process and found that when voters viewed a movie, they would turn on a flashlight if they didn’t feel the movie had a chance. When enough flashlights were turned on, the movie was stopped. Hoop Dreams lasted only 15 minutes before it was turned off. Because of this, rules were changed and now no one will EVER have an issue with Academy voting again. EVER.

My thoughts: Oh, boy. This movie got to me, you guys. I started Hoop Dreams thinking it would be about playing basketball and maybe the dream of playing basketball- a ‘hoop dream’, if you will. And it was, of course, but it was also so much more. There are so many topics to choose from when talking about this film: poverty, race, crime, drugs, gangs  and so on, and it’s easy to get lost in the message at times. What it comes down to, though, are two boys who just want to be someone. It’s as simple as you can get, and so, so powerful.

Before I go any further, I want to confess that the first thought running through my mind as the credits rolled was, ‘Please let them still be alive and happy,’ and it seems like they are. William Gates’ brother Curtis, who was featured in the film, was murdered in 2001 and Arthur Agee’s father, also featured in the film was gunned down in 2004, but the boys themselves seem successful and happy.

It amazes me the amount of dedication that went in to telling the story of William Gates and Arthur Agee. When filming started, both boys had just finished middle school, and although both of them had amazing talent, no one knew what the ending would be. In many ways, there is nothing remarkable about either story. William is scouted and ends up at St. Joseph’s High School, an expensive private school. He comes in with very low grades ( a persistent issue in the film), but has the drive to continue. His mom is a single parent and does her best, but it’s difficult. At one point in the film, William and his girlfriend have a baby, which adds another layer of complexity to an already complex situation. Add to the fact that William playing for St. Joseph was both an amazing opportunity and also a horrible decision. Being one of only a few black students, some of the games felt like more of a spectacle than just a high school kid doing what he loved. I didn’t really like the coach because it just felt like William was being used to win games for the school. On the other hand, putting him in a prestigious school opened up many doors that wouldn’t otherwise be available.

As much as I enjoyed William, it was Arthur Agee who got to me most. As a public school teacher in a low income area, I see so many kids just like Arthur: kids who have heavy stuff going on at home and try hard to not let it get to them. Kids who are so far behind and are embarrassed about it, so they hide behind their friends and try to show that they don’t care. I was especially interested in Arthur’s friendship with Shannon, the boy with a similar  background who later moved in with the Agees. Both boys were low academically and goofed off a lot in class, yet it was Arthur who ultimately succeeded because of his love for basketball. I don’t want to spoil the outcomes of either boy, but I think it’s safe to say that their passion for the game took them much further than other kids in the same situation would have. We talk a lot about ‘realistic’ goals in school because we want them to choose something they can work for and see progress in. But there is something to having a crazy dream, also, and for these boys, at least, it is what kept them going.

Final review: 5/5 A must see for anyone who loves documentaries.

Up next: Paths of Glory

#200- My Own Private Idaho

Quick recap: Mike (River Phoenix), a narcoleptic hustler, goes on a journey to find his mom and takes his best friend Scott (Keanu Reeves) with him.

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Fun (?) fact: When My Own Private Idaho was released on video in America, it was marketed as a straight film, with both main characters embracing a woman.

straightest film I've ever seen

straightest film I’ve ever seen

My thoughts: The only other River Phoenix film I can recall having seen is Stand by Me, and although he did an excellent job, I never really understood the way some people would wax poetic about him, calling him the next James Dean. But now I’ve seen My Own Private Idaho and I totally get it. That kid was talented and it’s incredibly sad to know that he would be dead in a couple of years, after giving such a powerful performance. I’ve seen plenty of Keanu Reeves movies, on the other hand, and this one also sticks out as one of his best, if not the best of his career.

This is one of those movies that I enjoyed very much, but didn’t fall in love with. I loved the spirit of the movie and how even though the subject matter was heavy, it never felt depressing. Although most of the film is about Mike looking for his mother who abandoned him as a child, the real issue is that he is in love with Scott. Scott, on the other hand, is just a rebellious rich kid. He goes with Mike to Portland, Idaho and Italy, managing to stay platonic even though it is obvious how hard Mike has fallen for him. There’s a great scene, the best in the movie, where Mike finally confesses his love and Scott listens but doesn’t reciprocate. It’s tragic and also anticlimactic because the two pack up and continue their journey the next day. At the end of the film, Scott falls in love with a woman, inherits his fortune and completely turns away from his old life living on the streets. Mike on the other hand, continues to exist exactly like he always has and heads out in search of new family.

One of my favorite aspects of the film is how the issues of being gay and homeless in the early 90s looked. There is one scene where a bunch of the boys sit around at a diner at talk about their first time being raped and assaulted while hustling. It was incredibly sad, but what made it so was that there was so little emotion attached to the stories. They were violated, yet couldn’t do much about it because they had nowhere to go and no one to turn to. So, they created their own family of people who understood and would protect them if need be. Although I couldn’t identify with every issue, the theme of creating your own family out of people you love is a comforting one.

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Final review: 4/5. I would’ve given it a 3 because the Shakespeare was a little confusing and pretentious, but the presence of Flea bumped it up.

Up next: a retrospective of the last 100 movies I have watched

#182- Buffalo ’66

Quick recap: It sounds like a typical set up for a romantic comedy- a guy lies to his parents about having a girlfriend and must find someone at the last second to keep the deception alive. Except that the guy just got out of prison. Except that his parents are total nut jobs. Except that the way he finds a girl is to kidnap one from dance class. Except that the girl is a teenager. Ignore all that and you have a solid romantic comedy!

awww.

awww.

Fun (?) fact: Vincent Gallo wrote, directed, composed music for and starred in Buffalo ’66.

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My thoughts: Buffalo ’66 is an ‘indie’ movie, to be sure, but so much darker than anything Wes Anderson could have or would have dreamed up. On its surface, it seems like the perfect film for a community like Tumblr to latch on to (and believe me, many have). The characters are beyond nutty yet also really sad and they get together in the end which is always nice. Nice, that is, if you are into ex-cons hooking up with teenage girls they have kidnapped. I personally wouldn’t go around pasting pictures of the movie with the hashtag #relationshipgoals, but to each his own, I suppose.

Shady ethical questions aside, I really did love this movie. Vincent Gallo has been called a control freak (see above fun fact), but in this case, it worked out perfectly. He was able to put all the pieces together in a way that he might not have been able to do with a partner. It’s difficult to describe the character of Billy Brown (although the word ‘tragic’ comes to mind), and I can’t imagine anyone else playing him besides Gallo. Seeing as how Gallo wrote the screenplay, only he knows the true ins and outs of the character like no one else could’ve pulled off. He disparaged Christina Ricci (his costar) in interviews about the film, and although I think she did a fine job, I don’t think anyone could’ve met Gallo’s expectations for the character Layla. Except maybe Gallo. Maybe he should’ve just been a one man show and taken full control of everything.

The characters in Buffalo ’66 are equal parts cringe-worthy, tragic and unintentionally funny. Honestly, each character could have his/her own analysis but I am in no way qualified or interested to do so. Most people might gravitate towards Billy Brown or his mother, but for me it’s Layla who I think is the most complicated. She justifiably scared when she meets him but then is able to turn into a loving wife when she meets the parents. It’s not very believable, though, which is why I loved the scene so much. I wonder what her motivation was at the time, because it had to be more than just fear of Billy Brown. When she recounts the (fictional) story of how they met the whole thing turns into a young girl having a serious infatuation with someone out of her league. And yet he isn’t, which is why the two stick together. She tells him that she loves him in the end, but is it true love or simply a teenage girl not knowing what she really wants? And Billy Brown reacting to her advances only shows how immature he is emotionally, but I still wanted it to end well, no matter how twisted the ending was.

Final review: 4/5. Let me tell you, this was a complicated movie to review, much more complicated than I originally thought it might be.

Up next: Alphaville

#174- The Matrix

Quick recap: This is not the real world. The world you live in is just a computer program and we are all slaves.  Happy Tuesday!

Stop collaborate and listen

Stop. Collaborate and listen

Fun (?) fact: It isn’t until the very end that Keanu Reeves speaks more than five lines of dialogue in a row.

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My thoughts: Picture it: The year was 2000 and my small town had just caught Matrix fever. It was one of those movies everyone could agree was awesome. Whether it was about the fight scenes, the deep philosophy, or the very obvious religious message, it was near impossible to find someone who didn’t like it. I myself was a huge fan for many years and even saw the sequels, which I would later come to regret. So, how does the movie stack up 15 years later?

In short, it doesn’t. Everything I remembered was there, but I am now looking at it as an adult, not some sheltered kid. The most obvious difference from 15 year old me is that I would absolutely take the blue pill. The scenes of the people being grown in pods were frightening, but only if you know about them. This world may be the Matrix, but it is my Matrix and it’s pretty nice. Ignorance is bliss, I suppose. So this time around, I guiltily found myself identifying with Neo as he is trying to come to grasp of this terrible truth, and even more so with Cypher who wanted to remember nothing. I mean, saving the world is cool and admirable and all, but not so much if no one really wants it.

The fight scenes were still pretty cool and I was surprised by how well they have held up. This was the part I was expecting to let me down the most and it ended up being my favorite part of an otherwise (now) disappointing movie.

Finally, what surprised (and angered) me most was Trinity’s storyline. Here we have a badass chick, willing to risk her very life for the cause she believes in. Except that, really, she’s just in love. Why the hell is there a love story? Of all the cool things that could’ve happened, Trinity is reduced to a love story. It’s even her destiny to be in love with Neo. I don’t remember my thoughts at the time I first watched this, but now it seems like such a blatantly bad idea. Was the reasoning to put that in there so girls could like the movie? Or was it to cement Neo’s legacy? Either way, gross.

speed-bus

Final review: 3/5. I feel that it’s important to note the cultural impact this movie had, even though I didn’t get much out of it now. I caught myself saying ‘glitch in the system’ just the other day, so it has become ingrained in me to some extent.

Up next: Raging Bull