#33- The Ascent

 Quick recap: The movie centers around two Soviet Partisans who go off in search of food for their group. Along the way, they are captured by Nazis and interrogated. And then everyone dies, except one guy who tries to kill himself but is unsuccessful. I’m not a fan of spoiling movies, but if you are looking for a good war movie where everyone is saved at the last second by their troop, this ain’t it.

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Fun (?) Fact:    Depressing fact: The director of this film, Larisa Shepitko, died in a car accident a couple of years after ‘The Ascent’ was released, so this was her last movie.

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My thoughts: In case the hint hasn’t been picked up yet, I’ll just go ahead and say that this was a DEPRESSING movie. Depressing in the sense that after it finally ended, I curled up in a ball and regretted ever doing this list, but then I looked at cat pictures and felt a little better. I’m still going to need a few years of therapy.

As I have stated before, I don’t like to look up information about the movie before watching it ,so all I had to go on was that 1) this is a war movie and in the war movies I have seen, everything is gritty but then people get rescued and the Americans always come out on top. GO USA. and 2) the movie is called ‘The Ascent’, which I took to mean that the Soviets would climb out of their situation and everything would be ok. Boy, was I wrong. The film is in black and white and most of the scenery consists of snow and trees. There is barely any music, except when someone is about to be tortured or about to die. That alone would be depressing enough but then there are the characters. Besides the partisans, the Nazis capture an old man who has been working for them but who they no longer trust, a woman who helped hide the two men and who has young children to care for by herself, and a child. One of the partisans decides to step up and admit that he orchestrated everything but of course that does no good. The other partisan begs for his life and is allowed to join the Nazi police. He is immediately told to help walk the prisoners, his friends, to the gallows where he puts a noose around everyone’s neck and helps them to be executed. Seeing his terrible choice, he attempts to hang himself several times but is unable to die. He considers escaping but knows he would be shot dead on the spot so he is left to endure staying at this camp.

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I think what got under my skin the most was the lack of violence and torture shown. At one point, one of the partisans has a star branded into his chest. I was thankful to not have to watch that but instead the camera focused on his face which was so much worse. In the scene at the gallows as everyone is hung, the camera focuses on a young child forced to witness the deaths. As he sees everyone hanging, he sheds a tear and it’s just awful. I don’t claim to know much about war movies but this different perspective combined with the saddest ending ever, makes for me, a more realistic view of war. Nowadays, directors try to top each other with the goriness but this movie, made in 1977 does the opposite and creates scenes I can’t get out of my head.

The most poignant part of the film was the scene in which the interrogator kept trying to get information and the partisan only answered in response, ‘What were you before the war?’ It was a question I had never thought about before, that the Nazis were, at some point, regular people with regular jobs and families, not the monsters that they eventually became. War is hell, y’all.

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Final review: 5/5. I really wanted to give ‘The Ascent’ a 1 because it bothered me so much, but that’s precisely why it needs a 5. Schindler’s List is seen as the go to ‘World War 2’ movie, but my vote is for this one as essential viewing.

Up next: Metropolis

#27- The Long Goodbye

Quick recap: Elliot Gould plays Philip Marlowe, a has been private eye. Late one night, his friend Terry Lennox visits him and asks Marlowe to drive him to Tijuana because of trouble with his wife. Marlowe does and unwittingly becomes involved in a murder mystery when he finds out Lennox’s wife has been killed and Lennox himself has confessed to the murder and committed suicide. Marlowe refuses to believe what happened and sets out to ascertain the truth.

Fun (?) fact: The only songs in this movie are ‘Hooray for Hollywood’ and ‘ The Long Goodbye’ , which is played throughout the film in many different ways. It was fun to try and catch all the reincarnations throughout the movie.

This was also Morris' first acting role!

This was also Morris’ first acting role!

My thoughts: I can’t say I was looking forward to a detective story, especially one from the ’70s, which are ripe with them apparently. But then I started watching and the first 20 minutes consisted of Philip Marlowe trying to find food that his cat wanted. I was in love from then on.

The mystery wasn’t very compelling, although I did appreciate the twist ending. What really sucked me in was Elliot Gould’s portrayal. From what I can gather ,the character of Philip Marlowe is set in 1953, yet operates in 1973. He is witty and a smart aleck and smokes a ton even though he is in health conscious California. And he’s not a very good detective. Most of the clues Marlowe gathers come by accident or as a result of some trouble he has gotten himself into. I also liked that this wasn’t a typical ‘solve the case, get your business back in order’ kind of plot, but it was a personal reason Marlowe had to solve the mystery.

As has been noted before, I especially love movies that portray their time period and this was no exception. For every 70s cliche you can think of, this has it. And that includes the  naked girls with bleach blonde hair that live across from Marlowe and spend their free time getting high and doing yoga.

The best part of the film is the end which I will not spoil here, but I will say that it is the turning point from a decent movie to an all time classic. What Marlowe does is so uncharacteristic of him that I did not see it coming at all but it somehow fit perfectly with everything else.

Elliot Gould is amazing and played the character flawlessly. The wisecracking geniuses that we see today should all be grateful for this movie. In Marlowe I saw hints of Gregory House and especially Spike Spiegel from Cowboy Bebop.

also one of the best shows of all time.

also one of the best shows of all time.

Final review: 5/5. I was at a 4 until the ending and now I would watch this movie a million times and not get tired of it!

 

Where/how I watched it: FINALLY found a movie from Netflix Instant. By the way, I’m going to stop adding this category unless I watched a movie in a special way.

Up Next: Rocky!

 

#17- The Red Shoes

Quick Recap: Victoria Page is an aspiring ballet dancer who is discovered by Boris Lermontov, owner of a ballet company. After his main ballerina quits to get married he invests all of his time and energy into Page. He first casts her as the lead role in ‘The Red Shoes’, a ballet based on the Hans Christian Andersen tale. It is so well received that Lermontov casts her in all lead roles. She instantly becomes famous. Things sour when Page falls in the love with the company’s composer. She must now choose between a life of dancing or following the man she has fallen in love with.

Lermontov: Why do you want to dance? Vicky: Why do you want to live? Lermontov: Well, I don't know exactly why, but... I must. Vicky: That's my answer too

Lermontov: Why do you want to dance?
Vicky: Why do you want to live?
Lermontov: Well, I don’t know exactly why, but… I must.
Vicky: That’s my answer too

 

Fun (?) Fact: I couldn’t find much in the way of interesting tidbits so instead, I’ll do a quick synopsis of the fairy tale, ‘The Red Shoes’- a girl sees a pair of red shoes in the shoemaker’s window and purchases them. She and her boyfriend go to a carnival where she enjoys herself. She becomes tired but realizes the shoes are possessed and she can’t take them off. She continues to dance, becoming more exhausted. She dances for years on end, until she finally dies. I highly suggest reading this heartwarming tale to your child before bedtime.

the shoemaker with his shoes

the shoemaker with his shoes

My thoughts: I’m not a fan of the ballet. I had a mild interest when ‘Black Swan’ came out, but I knew that seeing a performance would be anti-climatic. I do love all kinds of music and I generally love live performances, but there is just something about ballet that seems like a completely different world. The same can be said about my thoughts on opera, although that’s for a different post. I write all this to say that I had very low expectations for this movie. I really had to psyche myself up to get ready to watch it. The movie started off slow, introducing so many characters that I wasn’t sure who I was supposed to invest my attention in. And honestly I was pretty bored. It seemed that this movie would be yet another case for how crazy and uptight ballet dancers can be. I get it. They are intense people. It seems every dancing movie loves this trope. But then I became hooked on the actual ‘Red Shoe’s’ performance. For the first time, I was watching ballet and feeling real emotions. Moira Shearer, who played Victoria Page, does a perfect job of telling this story within a story. I was amazed how the director chose to show the ballet as the audience was supposed to and then what Page had in her mind. It was beautiful. I wasn’t surprised to learn that this movie was considered to have some of the best uses of color for its time.  As the story continued, I got to see Page’s relationship with the composer, Julian Crastor, develop. Lermontov was jealous but not because he was in love with Page. It was more than that. To him, Page falling in love and getting married was a death sentence for her career. At the movie’s end, Page returns to Lermentov, who convinces her to play the lead role in ‘The Red Shoes’ one more time. No one has done it since her and no one can do it better. She agrees, although she knows that her husband would disapprove. In the movie’s most climactic scene, Page must choose between her love of dancing and her husband. In a split second, she chooses dancing, and her husband leaves. As she prepares to start the performance, she realizes what she has done and, with the red shoes on, jumps to her death off of a balcony. The absolute best scene of the movie is at the end. Knowing that Page is dead, Lermentov makes a decision to continue on with the performance. In Page’s place is an empty spotlight that moves around, just as she would’ve done. The red shoes are left on stage.

The shoes

The shoes

It is truly one of the most heartbreaking and emotional scenes I have witnessed in a movie. I was taken aback by how powerful such simplicity could be.

Final review: 5/5. I generally make it a point to wait a while before posting a review so that I can gather my thoughts. I’m so glad I did that because when I finished the movie last night, I was still ‘meh’ about the whole thing. But after a night full of nightmares related to the story,I knew how important this film really is. Yes, it’s ballet but I promise, it is a necessity to watch.

Where I watched it: Netflix

Up Next: A Hard Day’s Night. Considering my son’s middle name comes from a Beatle’s song, I’d say I’m excited to watch.

#13-Moulin Rouge

Quick Recap: This is the story of Christian, a penniless writer, who falls in love with Satine, a whore. She dies and it’s really sad. The greatest thing you’ll ever learn is just to love and be loved in return. Love is like oxygen. Love is a many splendored thing. Love lifts us up where we belong. All you need is love.

Sorry, got a little carried away with quoting the movie. *

*- I’m not sorry.

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This post will be quite Ewan Mcgregor heavy as well. Deal with it.

Fun (!!!) Fact: It took Baz Luhrmann almost two years to secure all of the rights to the songs used in the film.

My thoughts: I won’t try to hide the fact that this is My. Favorite. Movie. Ever. I have watched ‘Moulin Rouge’ no less than at least 100 times by now. When the number came up on my random generator that tells me what to watch next, I had initially decided to skip watching this movie again because I can practically quote the entire thing. However, after a hellish week I went ahead and watched it in its entirety. It’s impossible for me to analyze the film at the point because I am so biased.

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One of my many reasons for bias

Instead, I’m going to approach this film on two points: 1) Does the movie still hold up for me 12 years later and 2) why I love it so much.

So first of all, yes this film completely holds up. I still love the musical numbers and I still love Ewan. I love all of the visual effects and the costumes.I love the manic pace at first, much like the energy you feel at the beginning of a relationship. I am still struck by all of the emotional scenes, although I no longer Ugly Cry at the end. I swooned when Ewan began to sing ‘Your Song’, much like I did when I first saw him belt out that first note many years ago. I fell head over heels all over again during the scene when Christian and Satine are making out around the corridor, a few feet away from The Duke. The entire exchange seems so authentic and believable. I was hooked after that.

gratuitous Ewan

gratuitous Ewan

Which leads me to my second reflection: why I love this movie so much. And as expected, I don’t have an answer. Maybe it was because I was 16 years old at the time and completely naive about all things love. Up until then, love was a faraway concept; it was something nice that I could have when I was ready. But then ‘Moulin Rouge’ presented it in a completely different way. Love is ugly. Love consumes you. Love and jealousy go hand in hand. I feel like by watching this movie, I crossed the threshold of being a silly teenager to having real thoughts and real dreams. And now that I have been in relationships and had my share of heartache, I can understand this movie on a different level. It still impacts me and I still identify with it.

jealous Ewan

jealous Ewan

Final review: 5/5 and 1/5. This movie has always been my litmus test for future relationships. I’ve found that you either get it and love ‘Moulin Rouge’, or you don’t and loathe it. Baz Luhrmann’s style can seem overwhelming at times and if that bothers you, just know that the pace will slow down at some point and you are left with a tragic love story.

Where I watched it: And here’s where my fangirl personality comes back- I own two copies of the DVD as well as a downloaded version on my computer.

Up Next: My Brilliant Career