Quick recap: Boris and Veronica are young lovers torn apart by war in Soviet Russia.
Fun (?) fact: This was one of the first movies to come out from the USSR that didn’t involve propaganda.
My thoughts: Am I bad person for wanting this to be chockfull of propaganda? I find those films fascinating because I like to see if I actually come around to the idea.
Alas, this was not one of those films, but instead another depressing one about war and its consequences. War is hell, y’all.
Right off the bat, I totally bought into Boris and Veronica’s relationship. They weren’t just cute together, but their playful banter felt genuine and not too over the top gloopy. I especially loved his nickname for her: squirrel. What I didn’t love was that he volunteered to go to war and literally left the next day. And even more than that, I was crushed that the two didn’t see each other before he shipped out. Like I said, I was all the way invested in this relationship. Now, I don’t claim to know a lot about Russian history so I’m not even going to try and sum up went on the war. All I know is that it was rough and not just for the soldiers. Even with a victory, I knew that the characters faced a long road ahead of them. And boy did they ever! For starters, Veronica’s parents are killed in an air raid. And then when she moves in with Boris’ family, his cousin Mark rapes her during another air raid and the two have to get married. AND THEN BORIS DIES. This movie was on a whole other level of drama I was not prepared for. As sad as it is, apparently Russian audiences really identified with the plot at the time. This movie was the first time many of them felt like it was ok to grieve for their suffering and hardships. It really made me think about all the bullshit governments put the common people through for the ‘greater good’.
Aside from the stellar acting and plot, there were many scenes and close ups that were gorgeous. The camerawork felt modern and had it not been in black and white, I might think this movie was a recent addition. Cinematographer Sergey Urusevsky used hand held cameras for much of the movie, and is one of the first to do so. The result isn’t shaky, thank god, but instead, seems like a more intimate look into the lives of a family going through a horrible time.
Final review: 5/5
Up next: Days of Heaven