#236- Strangers on a Train

Quick recap: Guy is a tennis star who hates his wife. Bruno is a creepo that hates his father. When the two meet ( as strangers, on a train), Bruno decides that it would be fun if the two could switch places and murder whom the other hates.

Strangers on a Train 3

Making small talk is difficult for some people

Fun (?) fact: Alfred Hitchcock wanted the character of Bruno to be gay but that wasn’t really something you could say back then. Instead, he and Robert Walker worked together to suggest Bruno’s homosexuality with elaborate gestures and fancy clothes without having to actually point it out.

Strangers on a Train pic 2

It was a success!

My thoughts: Strangers on a Train just might be my favorite Hitchcock film. It’s not his best, but I had the most fun watching it. Everyone knows Hitchcock for his horror films, but I much prefer film-noir Hitchcock, where he can put his dark humor to good use.

There is a lot to love about this movie, but it’s the film techniques Hitchcock uses that make Strangers on a Train so stunning. I know there are technical terms for all the camera work but I’m not even going to pretend I have a clue what I’m talking about here and just say it was really, really, really……good. There were many scenes with Bruno where he was just off in the distance, but the perspective made him seem so much more formidable. My favorite example of this was during the tennis match, where the audience moved their heads back and forth to watch the ball, while Bruno’s gaze was fixed squarely on Guy. It was beyond creepy. The scene in which Miriam is murdered is also amazing. Hitchcock somehow filmed the encounter through the perspective of Miriam’s glasses that were knocked to the grass when Bruno grabbed her.

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The dialogue and acting were top notch and although it was a very dark movie, there were many scenes that made me laugh. Like Shadow of a Doubt, many of the characters casually talk about murder and gruesome ways of dying as if it is a common hobby to do so. Which it kind of is? There has always been a fascination with that sort of thing so although it seems off-putting, it’s something we all do. As for the murder itself, I never really understood why Guy could never go to the police and explain what happened. There didn’t seem to be a lot of evidence, and it’s not like the police leading the investigation came from Manitowoc County (I’m topical!) so they probably would’ve been reasonable. The ending also seemed to be wrapped up a little too neatly. One second Guy was the number one suspect and the next second his name is cleared completely. Granted, there wasn’t much of a case to begin with but it was definitely a weak spot in an otherwise enjoyable film to have it all dropped so quickly.

Final review: 4/5

Up next: Storm over Asia

#197- Gun Crazy

Quick recap: Bart Tare is into guns. Like, really into guns. But not in that way (killing people). His wife on the other hand is totally into guns AND killing people. I guess you could say they are………gun crazy!

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Fun (?) fact: During the credits it says that the script was written by MacKinlay Kantor and Millard Kaufman. In reality, there was no Kaufman, but instead a guy named Dalton Trumbo, who was blacklisted at the time.

dude REALLY loves his guns. Can't say that enough

dude REALLY loves his guns. Can’t say that enough

My thoughts: With all of the talk on gun control and me being a crazy person who thinks not everyone should have all the guns, I wasn’t expecting much from this movie. The late 40s/early 50s were a different time when guns were used mostly for recreation and not terrifying mass murders, so a young boy with a fascination with guns didn’t really register with people that this was alarming. Case in point, the very beginning of the movie has a young Bart break into a hardware store to steal a gun. The reason he stole it was because his mean old teacher took away his other gun when he was showing it off to the class. That was the punishment, by the way- bring a gun to school and it will get taken away……and that’s about it.

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The director went out of his way to show that Bart was a sweet kid (I know this because he guns down a chicken in a flashback scene and then cries about it. Aww.) and it wasn’t guns that made him violent. Instead, what caused his crime spree was all the woman’s doing. Annie Laurie Starr is the Bonnie to Bart’s Clyde and from the very beginning of their relationship, it’s pretty obvious that the reason Bart loved guns so much was because he really wasn’t all that bright. He is told on several occasions that this woman was no good and yet he couldn’t resist her. She talks him into robbing every chance they get, which is bad enough, but then (according to her), Starr has this habit of getting nervous and killing people. This, understandably, gets the two of them into trouble with the law until they are finally cornered and must surrender. In one of the more beautiful moments of the film, Bart, who hasn’t killed anyone or anything since that chicken, turns the gun on his wife, who was about to shoot his friends. Gunfire is returned and Bart is also killed. The final shot is of them in the marsh, their dead bodies lying slumped against each other.

It might be the ridiculousness of the plot or how ‘B-movie’ certain scenes felt, but I really enjoyed Gun Crazy. It was a lot of fun and didn’t take itself too seriously. I kept expecting some larger discussion about guns, but really, it just came down to an idiot in love with a woman who kills.

Final review: 4/5

Up next: Little Big Man

#184- Gigi

Quick recap: A young girl has foolish ideas of marrying instead of going into the family business of being someone’s mistress

from a scene where a creepy old man sings about how much he loves little girls because they grow up into women he wants to date

from a scene where a creepy old man sings about how much he loves little girls because they grow up into women he wants to date

Fun (?) fact: The cat in the film hated Leslie Caron, who played Gigi and had to be drugged anytime it was in a scene with her. Considering that the cat had nothing whatsoever to do with the plot, I’m not sure why director Vincente Minnelli didn’t just let it go.

I couldn't find a picture for Gigi's cat, but this came up and I liked it better

I couldn’t find a picture for Gigi’s cat, but this came up and I liked it better. That cat looks like it knows something.

My thoughts: Without knowing anything about Gigi, I was fully prepared for it to suck. I ran across a list a few months back that ranked Best Picture winners and Gigi was at the bottom. I assumed from the synopsis Netflix provided  that maybe the writer of the list just didn’t like musicals but 5 minutes in, I realized that no, this movie is in fact terrible and messed up.

Before I get into my rant, and believe me there will be a rant, I’d like to admit that I really loved the musical portion of the movie. The songs were catchy and witty and I found myself humming them the next day. The actors also did a fine job with their characters, although the heavy French accents got on my nerves. It felt like they were over the top, but when I looked up trivia I learned that they were genuine so I’ll give it a pass. The setting and costumes were also wonderful and reminded me of something Disney might put together to showcase Paris long ago.

So, why is this movie so bad? Basically, Gigi, who is a 15 year old girl (very important. Don’t forget this detail) has been born into a family of courtesans. She lives with her grandmother and mother but visits her great aunt once a week for lessons on snagging a rich guy to sleep with. Yeah. Gigi is naturally against the whole thing, but is seen as a girl in need of a makeover so that MEN WILL SLEEP WITH HER. So, in comes Gaston, a rich guy, who likes to hang out with this family but not sleep with any of them. He is particularly fond of Gigi, but sees her more like a child BECAUSE SHE IS. After a weekend with him at the beach, the Great Aunt and grandmother decide that poor Gigi needs to be transformed so Gaston will want to sleep with her. When he sees ‘grownup’ Gigi for the first time, he is repulsed (maybe because she’s 15?) but then sings a song about how he thought she was a baby but seeing her in that dress reminded him that he can totally hit that now. So he does. Gigi isn’t too happy about the whole thing but whatever, that’s the family business. The movie ends with Gaston returning the girl to her grandmother and running away, as the audience thinks he’s a jerk. But then he comes back and announces that he doesn’t want her as a mistress but instead as a wife. Awww. Except not, because she is freaking 15 years old.

There's a scene at the beginning of the film where Gigi and Gaston are playing around and he threatens to spank her. Knowing how this would end only ups the creepiness factor.

There’s a scene at the beginning of the film where Gigi and Gaston are playing around and he threatens to spank her. Knowing how this would end only ups the creepiness factor.

Final review: I’d love to give this movie a 1/5 but I was thoroughly entertained in a car crash sort of way, so let’s go with 3/5 and then never speak of it again.

Up next: Fantastic Planet

#179- Diary of a Country Priest

Quick recap: A young priest keeps a diary of his time at a parish

the priest and I shared the same expression throughout the movie

the priest and I shared the same expression throughout the movie

Fun (?) fact: The hand, as well as the handwriting throughout the film belong to director Robert Bresson. Yes, this was the most fun fact I could find about the film, which does not bode well for its rating from me.

My thoughts: 179 movies in and I’m already getting tired of the ‘sad priest’ and ‘crisis of faith’ trope. Had I seen this movie before Winter Light, I might have appreciated it more, but that’s the way this goes sometimes. Just once, I’d like to see a movie about a priest who learns rad tricks on a skateboard for his congregation. The only crisis of faith he would  suffer would be when he isn’t sure he can master a 360 flip in time for the competition against the rival Baptist church down the road.  I’m not asking for much, you know. Just a skateboarding priest. With blue hair. And maybe the ability to fly.

YES.

YES.

Quite honestly, I’m not really sure what I was watching most of the time. The beginning of the film made me think that the priest had been thrown into a parish that he wasn’t able to handle. He’s unable to make anyone happy and at the first sign of difficulty runs to a nearby priest for guidance. As he starts to interact more with the locals, I felt an almost sinister vibe to the town, from the little girls in Communion class humiliating him to the suicide of the doctor. That would’ve made the movie far more interesting, if it turns out the priest had been sent to a parish full of demons.

The main storyline with the Count was also confusing. Everyone in that house had some sort of issue that involved the priest, but all the issues contradicted each other so much that I didn’t know who to believe, if anyone. Part of me wonders if that was the point, that the priest should’ve just left them all alone instead of meddling in affairs he didn’t belong in, but that also says a lot about his character. Throughout the movie, the priest suffers from some mysterious stomach ailment which finally leads him to seek medical attention in the end. The Count’s daughter comes by to talk, and although she has caused so much trouble,the priest continues to talk to her and calmly explain his actions. This is where the movie turned the priest into a God-like Saint role, putting others before himself, even to the detriment of his health.

It is revealed at the end of the film that the priest has stomach cancer and dies, but not before regaining his faith. It was a decent ending, I suppose, but as a whole, Diary of a Country Priest was a bit too heavy for me to ingest.

Final review: 2/5. Different time and different place, I might’ve enjoyed it more, although this isn’t really the kind of film to ‘enjoy’

Up next: Le Million