#35- Tsotsi

Quick recap: Tsotsi is a leader of a gang that spends its time robbing and killing people to get what they want. After doing some pretty messed up stuff, Tsotsi takes it further by shooting a woman, stealing her car and then driving away, only to realize there is a baby in the backseat. He makes a decision to abandon the baby but then changes his mind and decides to raise it. It’s like 3 Men and a Baby, except with a lot more violence and the baby almost dying.

The movies are much more similar if you are the kind of person to misunderstand movies and hate Tom Selleck

The movies are much more similar if you are the kind of person to misunderstand movies and hate Tom Selleck

Fun (?) Fact: 

The soundtrack was so interesting to listen to! I’d never heard this style before but it really adds to the mood of the film.

My thoughts: This movie was so hard to watch. I knew it wasn’t going to be a field of flowers and kittens but I wasn’t expecting something so bleak. The film takes place in a slum in Johannesburg, South Africa where crime is rampant and everyone is just trying to survive. The main characters in the film are so bad. In the first few scenes, they stalk a businessman onto his train and then crowd around him. They warn him that they are going to take his money and then one guy pulls out a very sharp, thin ice pick and shoves it into the man, killing him almost instantly. It’s such a cold way to die. One of the members confronts Tsotsi after the ordeal, saying that it makes him sick to kill someone like that. He is severely beaten for this. The point is, as bad as these guys are, they are also trying to survive, like everyone else.

Tsotsi is such a complex character. He seems emotionless at the beginning and yet he starts to crack a little after killing the businessman. After deciding not to abandon the baby after the carjacking, Tsotsi shows that he needs to feel a sense of love and belonging, just like everyone else. But after growing up in the slum, he doesn’t have the skills to care for a child. The baby is constantly crying, and after trial and error he realizes that he is hungry. In the only way he knows how, Tsotsi pulls a gun on a woman with a baby and forces her to breastfeed. It is her compassion and kindness to the baby that brings him to start to remember things about his own childhood.

It is revealed that Tsotsi’s real name is David and he once had a home with a mother and father. In one flashback, David’s mother is dying and she wants to hold his hand for comfort. His father comes in and orders David to go away. He runs and hides from his father and then watches in horror as his father viciously kicks his pet dog and breaks its back. It’s almost unbearable to watch this scene. David runs away and goes to live in a pile of cement cylinders.

showing the baby where he came from

showing the baby where Tsotsi came from

In the end, Tsotsi makes the right decision to return the baby back to his parents. Although the plot itself is riveting, it is the actors who really make the movie shine. Their performances are so authentic that it was hard to remind myself that this was only a movie and not a documentary. On a personal level, this movie made me really think about the kids I teach. Many of them grow up in unimaginable situations and it’s easy to forget that beyond the tough exterior is just a child who wants what we all want. The film is a great reminder that although there is plenty of evil in the world, there is compassion and decency to do the right thing.

Final review: 5/5. If you can stand the violence, this is required viewing.

Up next: A Fish Called Wanda

 

#32- The Host

Quick Recap: The story starts with an American screwing up by dumping a bunch of toxic chemicals into the Han River in South Korea. Several years later, the chemicals produce a fish monster that can crawl around on land and devour people. A little girl, Hyun-seo, is taken hostage by the monster and it is up to her family to save her since everyone else thinks they are crazy.

from The New Yorker

from The New Yorker

Fun (?) Fact: I’m just going to go ahead and spoil this by saying the following fact is in fact, not fun. The movie is based off of a real incident in 2000 when a mortician working for the U.S. Military poured a bunch of formaldehyde down a drain in South Korea, sparking controversy. The film is not meant to be anti-American specifically but North Korea apparently loved the movie so just let that one sink in for a second.

SteveUrkel

 

My Thoughts: Horror, as a genre, doesn’t do much for me. Setting aside the fact that EVERYTHING ON EARTH scares me, I think most horror films rely too much on gore and shock and let the plot fall by the wayside. So I love when I get the chance to watch a horror movie that stays with me long after the horror has passed.

I know absolutely nothing about Asian monster films, except that many of them should be taken at more than face value. The very first scene of the movie recreates a real life incident that polluted the environment and led many South Koreans to no longer trust the US, so the director isn’t going for subtle here. On the other hand, most of the movie centers around the family and what they go through in order to save Hyun-Seo and not really so much on how much the US sucks. It was enough to make me feel a little uncomfortable and guilty watching what South Korea must think of us.

The family of Hyun-Seo consists of her dad, useless and lazy, her grandfather who has made mistakes in the past but is trying his best to keep everyone together, her aunt, a medal winner in archery and her uncle, an alcoholic. I wondered for a second if Wes Anderson didn’t have a hand in creating these characters. I most enjoyed seeing how much they fought and yet would do anything for the girl. I won’t spoil all of the hardships the family goes through in rescuing Hyun-Seo, but there are many and it was interesting to see how they reacted to each situation.

Of course, no review would be complete without a review about the monster itself. I admit to getting chills the first time the monster is spotted as it hangs upside down under a bridge. As more people gather, the monster quickly uncurls itself and jumps into the water. People begin to throw food at it and then all of sudden it springs up and starts gobbling everyone in sight. As far as monsters go, it’s not scary in the sense that I would have nightmares, but more of a traditional, Godzilla style scary. I was most uneasy watching it regurgitate its victims.

one of my favorite scenes

one of my favorite scenes

One more thought: the movie is called The Host because the monster holds a deadly virus. But it doesn’t actually and it turns out people are just being used for experiments. There is also a plot point where the US decides to help and orders a substance called ‘Agent Yellow’ which will kill the virus. I think the monster by itself was scary enough but I guess adding the virus element gave the director another chance to show how the US has a tendency to put itself into situations it doesn’t belong in.

 

Final Review: 4/5. I was gunning for a strong 3 most of the movie but the ending pushed it to a 4 because there is nothing I love more than an ending that doesn’t solve everything.

Where I watched it: Alamo Drafthouse. I recently finished reading’The Orphan Master’s Son’, a novel about North Korea. One of the main characters is an actress and in one scene she is shocked that anyone would want to watch a movie on anything other than the big screen. After seeing The Host there, I completely agree.

Up Next: The Ascent

 

#13-Moulin Rouge

Quick Recap: This is the story of Christian, a penniless writer, who falls in love with Satine, a whore. She dies and it’s really sad. The greatest thing you’ll ever learn is just to love and be loved in return. Love is like oxygen. Love is a many splendored thing. Love lifts us up where we belong. All you need is love.

Sorry, got a little carried away with quoting the movie. *

*- I’m not sorry.

Image

This post will be quite Ewan Mcgregor heavy as well. Deal with it.

Fun (!!!) Fact: It took Baz Luhrmann almost two years to secure all of the rights to the songs used in the film.

My thoughts: I won’t try to hide the fact that this is My. Favorite. Movie. Ever. I have watched ‘Moulin Rouge’ no less than at least 100 times by now. When the number came up on my random generator that tells me what to watch next, I had initially decided to skip watching this movie again because I can practically quote the entire thing. However, after a hellish week I went ahead and watched it in its entirety. It’s impossible for me to analyze the film at the point because I am so biased.

ewan_moulinrouge

One of my many reasons for bias

Instead, I’m going to approach this film on two points: 1) Does the movie still hold up for me 12 years later and 2) why I love it so much.

So first of all, yes this film completely holds up. I still love the musical numbers and I still love Ewan. I love all of the visual effects and the costumes.I love the manic pace at first, much like the energy you feel at the beginning of a relationship. I am still struck by all of the emotional scenes, although I no longer Ugly Cry at the end. I swooned when Ewan began to sing ‘Your Song’, much like I did when I first saw him belt out that first note many years ago. I fell head over heels all over again during the scene when Christian and Satine are making out around the corridor, a few feet away from The Duke. The entire exchange seems so authentic and believable. I was hooked after that.

gratuitous Ewan

gratuitous Ewan

Which leads me to my second reflection: why I love this movie so much. And as expected, I don’t have an answer. Maybe it was because I was 16 years old at the time and completely naive about all things love. Up until then, love was a faraway concept; it was something nice that I could have when I was ready. But then ‘Moulin Rouge’ presented it in a completely different way. Love is ugly. Love consumes you. Love and jealousy go hand in hand. I feel like by watching this movie, I crossed the threshold of being a silly teenager to having real thoughts and real dreams. And now that I have been in relationships and had my share of heartache, I can understand this movie on a different level. It still impacts me and I still identify with it.

jealous Ewan

jealous Ewan

Final review: 5/5 and 1/5. This movie has always been my litmus test for future relationships. I’ve found that you either get it and love ‘Moulin Rouge’, or you don’t and loathe it. Baz Luhrmann’s style can seem overwhelming at times and if that bothers you, just know that the pace will slow down at some point and you are left with a tragic love story.

Where I watched it: And here’s where my fangirl personality comes back- I own two copies of the DVD as well as a downloaded version on my computer.

Up Next: My Brilliant Career