#95- Nanook of the North

Quick recap: Nanook (who’s name isn’t really Nanook) is an Eskimo (Inuk) who must fight daily (with guns) for survival. Along with documenting Nanook’s life (most of it is staged), the film also captures his family ( not really his family) and how they manage to adapt to the bitter cold.

On the other hand, there is a scene with a baby playing with puppies so it isn't all bad

On the other hand, there is a scene with a baby playing with puppies so it isn’t all bad

Fun (?) fact: Shortly after the film’s release, it was revealed that Nanook had died of starvation. Actually, it’s more likely he died at home of Tuberculosis, which is somehow better?

Is ANYTHING real? No.

Is ANYTHING real? No.

My thoughts: Nanook of the North is considered to be the first wide released documentary, which right off the bat I disagree with because so much of it is staged. One article I read put it in the genre of ‘docudrama’ which is a little better, I suppose, but still doesn’t reflect the level of fakery that was sold to the public. Before I continue ranting any more, I feel it best to point out that Nanook of the North ,  regardless of what it has been classified as, is a perfectly fine film all its own. I could’ve watched images of the landscape for many hours and the characters were also endlessly fascinating, real or not.

More huskies, less fake hunting

More huskies, less fake hunting

And now back to your regularly scheduled rant.

I knew going into this that I would potentially be watching something culturally insensitive, as the 20s weren’t known so much for their embracing of diversity as they were known for treating groups like a zoo attraction. One of the very first pieces of text describes the Inuk people (called eskimos) as a happy, simple people. And then the rest of the movie is spent justifying this statement. During one scene, Nanook’s family travels to a trading post, run by the ‘white man’ . While there, they encounter a gramophone for the first time and Nanook hilariously tries to bite the record, to see what it is (he knew what one was in real life). A minute later, one of the children has a stomach ache from eating so much and the man gives him some castor oil. In seconds, the child was smiling brightly and rubbing his stomach and licking his lips as if the oil were the best thing he had ever had in his entire life. Some of the scenes were truly touching, like when Nanook was showing a young child how to hunt with a bow and arrow. But overall, the simplicity of this family bothered me. The best example of this being the final scene, when the family has barely survived a sudden snowstorm. They find shelter in an abandoned igloo and, with faces radiant with happiness, lay down to sleep. It was supposed to be an example of the enduring strength of this man, but to me, came off once again like an attraction at the zoo.

The hunting scenes didn’t bother me as much as they apparently did to audiences when the movie came out. By the time Nanook and his family were being filmed, most of the families in the tribe had started using guns to hunt for food. But since guns kill things easier than a spear, they were left out of the film. I guess I didn’t care so much about these scenes being reenacted because it was hard for food to come by and so you have to work with what you have. And even though Nanook had moved to more modern forms of hunting, he still knew the ways of his ancestors.

Final reveiw: 3/5. A beautiful film filled with lies, but still a work of art.

Up next: Another surprise, apparently.

#91- Monsieur Verdoux

Quick recap: Charlie Chaplain plays Monsieur Verdoux, a perfectly charming gentleman.Faced with the difficult situation of caring for his wheelchair bound wife and young son after losing his job at the bank, Verdoux does what any stand up man would do-he becomes a mass murderer.

I'm going to murder you all!

I’m going to murder you all!

Fun(?) fact: Chaplain bought the idea for the movie from Orson Welles for $5000

My thoughts: City Lights is one of my favorite movies, and so I was hesitant to watch Chaplain in a ‘talkie’. In all honesty, I had kind of assumed he had retired once the era of silent films was over. Apparently not, and it was quite a relief to see how easily he had transitioned, yet still keeping his over the top expressions he was known for.

The film apparently takes place in France, although everyone has an english accent. That’s one of my biggest pet peeves in movies- when the accent doesn’t match the region (I’m talking to you, Tom Cruise). There were a lot of characters thrown in at the beginning of the movie, which was confusing at first, until I learned to just focus on Verdoux. Chaplain’s character is a little guy, but an expert at wooing women. He is supremely charming when he needs to be and has to summon up a lot of patience for some of the women he deals with. I especially loved the little quirks of his, such as how quickly he thumbed through the money and his continually failing to kill one of his wives. Hilarious!

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I thoroughly enjoyed myself until the end of the movie, when Verdoux is finally caught and sentenced to death for all the murders. In his speech to the court, Verdoux basically says that everyone finds him horrible, yet bombs are killing women and children every day and no one cares. It’s not that I disagree with the message, but I don’t like having to sit through a movie only to realize it was political satire this whole time. And I do love me some satire, but not in this way. If the speech had just been edited out, it would’ve been a perfectly fine comedy. Satire can be subtle but not so nonexistent so that the main character has to make a speech about the point of the movie. Chaplain was apparently extremely left-wing and felt this film to be one of his best. It was controversial when it came out and was the beginning of the end of Chaplain’s career.

Final review: 3/5. Still a nice little gem of a movie, if you take away the ending.

Up next: Star Wars: Episode IV

 

#88- Salt of the Earth

Quick recap: A union group decides to go on strike against a zinc mining company in the early  50’s. The men striking face jail time, violence, scabs,  and worst of all- women, who take over after the workers are barred from entering the picketing line. Women are the WORST, you guys. The WORST.

The communists do have a point- children in jail are adorable.

The communists do have a point- children in jail are adorable.

Fun (?) fact: During filming, immigration officials arrested the lead actress, Rosaura Revueltas. She was deported to Mexico and a double had to be put in place to finish the movie. She was labeled a communist and couldn’t find much work afterwards.

accurate depiction of a modern day public school classroom, amiright? High five, anyone??

accurate depiction of a modern day public school classroom, amiright? High five, anyone??

 

My thoughts: It’s really hard to go wrong with a movie that has the distinction of being the only movie ever blacklisted. On the other hand, being brainwashed with propaganda gets tiresome after awhile. Salt of the Earth was basically made as a big ‘screw you’ to the US government, after its director, producer and writer were blacklisted for being alleged Communist sympathizers. In retaliation to the charges, the men set out to make the most Communist film ever created, so that they might have a movie ‘to fit the crime for which they were accused’.

It would be really silly of me to waste time critiquing a film that is by all accounts, propaganda. It would be like me holding the Taco Bell Twitter account to some literary expectation, when all they are there to do is sell waffle tacos. I could really use a waffle taco, by the way. Back to Salt of the Earth, the acting is stiff in some scenes and over emotional in the others. The plot, while based on a true story, was overall unbelievable and silly. The union workers were painted as full of hope and blameless while the police and owner of the plant were the very definition of evil. But none of this matters as long as the message is understood.

My husband watched the movie with me and afterward we had a discussion.

A: I’m pro-union, but at some point, after a year, it would be time to find a new job.

Me: But if everyone gave up, nothing would ever get done! Companies could get away with murder! And anyway, the union pooled its resources and shared with each other so everyone was ok.

A: I think you just argued in favor of communism.

Me.: Oh my god. I’m a communist.

Ok, so it didn’t go exactly like that, but I do admit to falling for the message a little bit. So in that respect, Salt of the Earth was a wild success. And when I look into the history of this movie, the government agrees with me. They ordered a boycott of the film and it was virtually kept hidden for 10 years, until women got wind of it. Although this wasn’t the main message, the feminism viewpoint is for me, the most interesting part. Esperanza, the main character, is married to a union leader whom many people look up to. Yet, after all the protesting he does, goes home and treats his wife pretty badly. He forbids her to participate in the picket line, even though she was the one who got it to happen. At some point, when things gets bad, she gets involved and transforms into a strong character. Her husband is left at home to watch the kids and take over housework duties. By the end of the film, he realizes how amazing his wife is and is truly grateful for her strength. Propaganda aside, I can get behind that.

Fight the man!

Fight the man!

Final review: 3/5. An interesting part of history, but not so interesting to sit through it again. I’d also prefer not to be blacklisted by liking this film in any way.

Up next: Crouching Tiger, Hidden Dragon

#83- West Side Story

Quick recap:  Romeo and Juliet, but with more dancing

We're fierce!

We’re fierce!

Fun (?) fact: Natalie Wood, who played Maria, was led to believe her voice would be used for at least some of the songs in the film. Instead, the producers went with Marnie Nixon and kept the truth from Wood. Nixon was not paid any direct royalties from the film or credited.

poor Marnie Nixon :-(

poor Marnie Nixon 😦

My thoughts: My non-existent attorney has requested that, in an effort to retain what little integrity I have left since watching The Tin Drum,  disclose my disdain for Romeo and Juliet. Sure, I could blame it on my cynical nature of love or the fact that I find Shakespeare overrated or because it’s the one play everyone names as a favorite because they know no others. But mostly, I just think two 13 year olds getting married and then killing themselves is kind of crazy.

Frozen - Quote1

Plot aside, I really enjoyed the dancing and orchestral arrangement. It was kind of hard to buy into rival gangs dancing it out, but I eventually got into it. Everyone was flawless in their moves, of course. My favorite number was probably the Quintet and my least favorite was ‘I Feel Pretty’. In general, the lyrics left a lot to be desired, but that’s not something I can fault the movie. Or actually, the lyrics are very insightful and romantic, until I remembered that Maria and Tony had only met a few hours ago. Maybe it is my cynical nature after all.

The scenes where the gangs were together talking about the rumble and the rumble itself were exciting and made me desperately want to see a live show. The scenes between Tony and Maria bored me to tears and I felt like the pacing was entirely too slow for much of the film. They seemed genuinely in love though, so I’ll give them that. The death scene (Come on, do I really need a spoiler alert for this?) was moving and gave me pause as to whether I hated Romeo and Juliet as much as I thought I did.

I think that, as a musical, West Side Story holds up rather well. The depiction of Puerto Ricans, though…….that was a little embarrassing. The accents were awful, like, in doing research for this movie, the actors were required to sit through hours of I Love Lucy reruns and try to imitate Desi Arnez (who was Cuban, but still).

Final review: 3/5, almost a 4. I’m very curious about the live show and how it stacks up against the film. Or, the other way around, since the Broadway musical came first.

Up next: I had a last minute idea to only watch Oscar winners this month, but seeing as how there are only 4 on Netflix Instant, I’ll supplement with my regular list. Terms of Endearment is next.