Tag Archives: 5/5

#232- The Godfather

Thanks for the suggestion, Josh!

Quick recap: A charming, uplifting story about a close-knit Sicilian family.

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Extra fun fact: 90% of  Simpsons episodes are just a parody of The Godfather

Fun (?) fact: The cat held by Marlon Brando in the beginning of the film was just a stray he found on the lot. The cat, being a cat, purred so loudly that some of Brando’s lines weren’t able to be heard.

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My thoughts: I’m so relieved to finally be able to cross The Godfather off of my ‘Oh my god, Mary, you haven’t seen ______? What’s wrong with you?’ list.And I’m also glad that it will not be added to my ‘Oh my god, Mary you didn’t like _______? What’s WRONG with you?’ list.

So. The Godfather. There’s so much to love about this film, but I think the genius lies in having all these common family events- a wedding, an ill loved one, a wife getting blown up, a baptism- and portraying them through the eyes of the Mafia. It created this perfect juxtaposition where I, as the viewer could identify with all these scenes and yet also SO NOT identify with any of the scenes. I know people love this movie for all its badass violence (and believe me, there’s plenty of that), but there is also heart, which I found most surprising. The baptism scene is a perfect example of that and also maybe the greatest scene in film,period. On one hand, here is Michael, the new godfather, honoring his duties, and with each phrase the priest says, the other scene is of absolute slaughter. He’s the godfather and he’s also The Godfather. Perfection.

I’m not even going to go into the acting because of course it was superb and all that jazz, but I never really got used to Don Corleone, played by Marlon Brando. I blame two things for this: 1) I’ve seen so many parodies and tributes  of The Godfather that seeing the actual performance felt like a parody itself and 2) I haven’t forgiven Brando yet for One-Eyed Jacks. Nonetheless, it’s one of the greatest roles in film and I can’t imagine anyone else doing it.He too is a juxtaposition between this family man- playing with his grandson, giving his children advice- and also running one of the most dangerous crime syndicates in history. Don Corleone seemed so helpless after getting shot, yet he still managed to influence every decision just by his very presence. It’s one of the greatest roles in film, which I know I’m saying a lot, but come on, it’s The Godfather.

Final review: 5/5

Up next: possibly the Ghostbusters or Casablanca

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#230- Pan’s Labyrinth

Thank you to Sam for recommending this movie! I know you could’ve chosen LOTR but I appreciate the restraint 🙂 

Quick recap: A young girl growing up during the Francoist Period in Spain enters a fantasy world to escape her frightening real life situation.

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Fun (?) fact: In literally every other country except America,this movie is known as ‘The Labyrinth of the Faun’, which makes way more sense.

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All glory to the Hypnotoad

My thoughts: Boy, was this a dark movie. I remember the depressing ending from when I watched it a few years ago but I was still a little taken aback by its bleakness. Then again, this is directed by Guillermo del Toro so no one should go into this expecting rainbows and sunshine. Or go ahead and believe that. I’m not here to tell you how to live your life.

It’s hard to describe why I loved Pan’s Labyrinth so much because I lack all those fancy words that real film reviewers use, but I’ll try my best. To me, the world that del Toro created in the movie felt real. It went beyond creating a creepy set and cast of characters and it moved into something that truly had life. At first I was like, ‘Can’t Ofelia at least catch a break in her OWN MADE UP WORLD?’ but the more I thought about it, the more it made sense. This girl has seen stuff and like many kids, uses her imagination to try and make her situation better. But even then, you can’t ever really escape and so her fantasy world is completely intertwined with her real world. Which makes this movie ten times more depressing, honestly.

While looking up trivia for the film I came across several theories about the meaning or theme of the movie. Of course there is the religious element, which I usually shoot down because people think they see Jesus everywhere (mostly in toast). And there is the theme of good vs. evil, which a) seems too simple for a movie like this and b) once again, this theme is in everything. I didn’t bother to read too much into what I watched and instead just enjoyed the story. I trust that del Toro put in a bunch of symbols but I like that Pan’s Labyrinth can also be taken at face value as a (very depressing) fairy tale.

Also- war is hell, man.

Final review: 5/5

Up next: There’s Something About Mary

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#229- Pulp Fiction

Quick recap: Told out of order, Pulp Fiction interweaves stories about hit men, a boxer and a couple about to rob a diner.

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Fun (?) fact: To prepare for the role, John Travolta researched what it was like to be on heroin and was told to down a bottle of Tequila and then get in a hot tub. The more you know, kids!

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My thoughts: Let me tell you, this has probably been the hardest review I’ve ever written. Not because the movie is bad or anything, but because what could I possibly add to something so perfect? Pulp Fiction is a masterpiece and I have yet to run into anyone who doesn’t like it. It’s Tarantino’s best, hands down and every moment is gold.

I had the opportunity to watch Pulp Fiction on the big screen at the Alamo Drafthouse and I’m so glad I did because that’s how it’s meant to be seen. It was a Quote Along, which I was initially hesitant about but then warmed up to the idea once I was given a cap gun and a syringe pen. It’s been awhile since I had last seen the movie so I wasn’t sure I would be able to remember many of the ‘quotable’ lines, but once it began, it didn’t matter. There’s just something wonderfully cathartic about saying ‘motherfucker’ with about 100 other people.

Yes, there is a lot of violence and language but I’m not really sure what you were expecting from a Tarantino film, if that sort of thing bothers you. I wouldn’t use the word ‘gratuitous’ to describe the killing, especially compared to his newest, Hateful Eight. I think I was most surprised by how perfectly everything fit together. Every line said, every gun fired was necessary. Pulp Fiction has a lot of ‘rambling’ anecdotes but somehow it just works. I loved this film when I first saw it years ago and I think I’m even more in love now.

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Final review: 5/5

Up Next: Pan’s Labyrinth

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#226- Amadeus

Thank you to Josh for recommending the movie, thus ensuring that I have ‘Marriage of Figaro’ stuck in my head for many days to come .

Quick recap: The incredibly sad story of Wolfgang Amadeus Mozart, as told by the guy who hated him most.

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Fun (?) fact: Director Milos Forman didn’t even bother having the actors use an accent in the movie because he wanted them to focus on their characters. It almost makes me feel bad to think about all the things I said about Tom Cruise and his lack of accent in the movie Valkyrie. Almost.

 

My thoughts: Of course I loved Amadeus. I may not get the point of Who Framed Roger Rabbit? , but I’m not a complete monster. Then again, I also uploaded a video of the Bloodhound Gang, so let’s just say I break even and move on.

The very first thing I did after finishing the movie was head over to Wikipedia to see how much of Amadeus was true and it turns out- it’s actually rather accurate. Of course there are scenes that probably didn’t take place, but seeing as how the movie is about a guy who lived over two hundred years ago, it’s a little difficult to pin facts down. Most scholars believe that Salieri didn’t really hate Mozart all that much, although they certainly weren’t BFFs or anything. It’s this detail that keeps me from embracing the film completely, although I certainly understand the reasoning of having a villain. Man versus Himself is much harder to portray on film, even though it is closer to the truth. Mozart was a genius and he knew it, and I think that’s what ultimately did him in- that he saw the genius in himself when others didn’t. I mean, he was celebrated while he was alive, but he also died penniless and was buried in a pauper’s grave. As for Salieri, the film does an excellent job painting him as a villain, but also someone that, although it is uncomfortable, we can relate to as an audience. Jealousy is an ugly thing and also something we all wrestle with.

What I loved most about the film, I think, was the way the music was woven into different scenes. Not only did I get to see snippets of some of his operas but I was also able to experience the music as it related to who he was. I’m by no means a genius composer (or AM I?) but I am consumed by music from the time I get up until I go to sleep and sometimes even while I sleep. The music I listen to is not a hobby, it is who I am. I have a playlist on Spotify that if you listen to it chronologically, it tells a story of me and all that has happened the past few years. In Amadeus, Mozart gets so obsessed with Requiem that it almost kills him. He didn’t just compose the music, he WAS the music and the two could never be separated.

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Final review: 5/5.

Up next: Oh, Voyager

 

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