Quick recap: Llewelyn Moss is caught in a deadly cat and mouse game when he stumbles upon a drug deal gone wrong.

But, like, more violent
Fun (?) fact: While filming in Marfa, Texas, shooting was halted for the day when a cloud of dark smoke came into view. It turned out to be a pyrotechnics testing for the movie There Will be Blood, which was filming nearby.

Only the Coen brothers could find the most perfect haircut for a maniac
My thoughts: It’s no secret that I love the Coen brothers. Or maybe some people don’t know,but that would be a totally lame secret to have in the first place,tbh. Anyway, I love them and they can do no wrong, not even with Burn After Reading, which I think is underrated. No Country for Old Men is a different monster, though. Many of the same trademarks are there, but this film just feels different. It’s darker, more violent and less funny than their previous projects. And it is perfect.
I don’t use the word ‘perfect’ lightly, except for all those times I’ve used the word ‘perfect’ lightly. But that’s just what this film is. I can’t find fault in it, not that I’ve tried all that hard. Take the music, for example. There is none. At all. And with most other movies, this would bother me. Not this movie, though. No music really heightened the feeling of dread I got anytime Anton Chigurh was onscreen, and it felt as though he could be outside hunting me too. The scenery is another home run for me, not just because it’s in Texas, but it’s the most gorgeous part of Texas. I’ve been talking about a road trip to Marfa for years now and maybe subconsciously I’ve been thinking about this movie and that’s why I haven’t gone. It’s so desolate out there and perfect for just the sort of thing that played out onscreen.
But really, just like any good Coen brothers film, I’m in it for the characters. There isn’t a lot of dialogue, but there doesn’t need to be. I still don’t really understand the ending but I also kind of like that. It is what it is and it always will be that way. That’s good enough for me.
Final review: 5/5
Up next: the Sins of Lola Martès