#206- Zero for Conduct

Quick recap: 4 boys in a strict boarding school make a plan to attack the adults and bring revolution.

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Fun (?) fact: Not so much ‘fun’, but ‘inevitable’: immediately after its release, it was banned completely until 1946.

now look what you've done!

now look what you’ve done!

My thoughts: As a teacher, I’ve become used to the various complaints and insults directed at me by kids. Hate homework? I get it, but you still have to do it. I’m making you work too hard and now your hand hurts? got it, don’t care. Eat your shorts? Whatever, Bart Simpson. Children hating school is a fact of life, and movies depicting this is pretty standard. But Zero for Conduct is in its own realm of absurdity and anarchy, and I’m still not quite sure what I watched.

Before you read any further, If…. was directly inspired by Zero for Conduct and although I don’t think they improved on anything, it’s still an interesting companion to this film.

The first scenes of the film were a little underwhelming, since I was expecting full anarchy from the get-go. Instead, the story starts with two boys in a train car, on their way to boarding school. It was kind of like Harry Potter, but without the magic and happiness. The boys start pulling toys out of their jackets to impress each other, like feathers and balloons. It’s silly and made me wonder what counted as ‘bad behavior’ back then, because if this is it, then all those people who say, ‘back in my day, kids didn’t act like they do today’, are quite correct. And really, throughout the entire movie, I didn’t see anything too scandalous from the boys or even from the administration and teachers. In one scene, a couple of boys are roughhousing and the prefect (NOT a Weasley), makes them stand at the foot of the bed for awhile. It was weird, but I wouldn’t call it cruel or abusive. Many of the scenes involved the boys being made to work, which of course they don’t want to do and so they decide to start a war during their school’s Commemoration Day ceremony. I read in many places that the school was very strict and rigid, which I guess was true, but that’s what I thought boarding schools were about. The only thing objectionable I saw was that the boys were made to eat beans everyday, so….probably not worth a battle.

Up yours, children!

Up yours, children!

I guess the confusing part (just like If….) was that I didn’t know who to sympathize with. The boys were annoying and, well…..boyish. There was bathroom humor and smoking and roughhousing, which didn’t endear them to me. The school itself didn’t invoke much sympathy, either. The adults all had something weird going on, like one who did handstands in class and then the president who was a little person. I guess it was just all very weird. And the war itself ended up being all of the boys locking themselves in an attic and refusing to participate, while the four main boys threw random things at the adults. Revolution indeed, children.

Now, that's some high level tomfoolery I can get behind!

Now, that’s some high level tomfoolery I can get behind!

Final review: 2/5. Did I mention it was a French film? Probably not a surprise, given its absurdity.

Up next: Hoop Dreams

#191- 42nd Street

Quick recap: Director Julian Marsh has been hired to put on a musical, even though he is very close to a nervous breakdown. Of course, nothing goes right and hilarity ensues.

If there's one thing I love, it's a stereotype about over-stressed directors

If there’s one thing I love, it’s a stereotype about over-stressed directors

Fun (?) fact: A line in the song ‘Shuffle Off to Buffalo’ says ‘I’ll go home and get my panties’, which is sung by the male lead. Back in the 1930s, ‘panties’ was a synonym for ‘underwear’, so men used the word too.

probably thinking about his panties

probably thinking about his panties

My thoughts: 42nd Street is the chicken noodle soup of movies-comforting, well known, satisfying and also a little bland. It’s the kind of film I could probably watch a few times without getting bored, but not one of my favorite movies I keep coming back to. And that’s ok sometimes.

When I think of the musical genre, 42nd street is the kind of film that pops in my head- something all-American, with a bunch of theatre stereotypes and big, flashy numbers. No songs stuck out particularly for me, but I enjoyed them nonetheless. This isn’t really your typical movie musical though, because no one bursts into song at the drop of a hat. Instead, all of the dancing and singing is isolated into the rehearsal, which I loved because the movie was about the making of the musical and so the musical itself didn’t really have to make sense. You do get to see a few numbers at the end, to see how everything comes together, but I liked not knowing what the musical was supposed to look like. It all felt like a hot mess, just like director Julian Marsh saw it.

The plot and acting was a little bland for me, but maybe it’s because I’ve seen the situation play out on so many sitcoms and kids’ television programs. Basically, a small town girl, Peggy, is cast into a tiny role but through various circumstances, ends up as the lead and does a perfect job. Meh. The star of the musical, Dorothy Brock, was temperamental, but not necessarily evil. She is dating the financier of the musical, even though he is clearly not her type because if she loses him, there will be no show. That part of the plot seemed the most familiar to me for some reason…..

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Final review: 4/5. The dancing was phenomenal and the rest of the film was decent enough to watch again.

Up next: Last Year at Marienbad

#190- She Done Him Wrong

Quick recap: Mae West plays Lady Lou, a woman with a bunch of guy troubles.

7-She-Done-Him-Wrong-quotes

Fun (?) fact: Mae West was sewn into most of her costumes.

it's a wonder she didn't pass out during every scene, with something that tight on.

it’s a wonder she didn’t pass out during every scene, with something that tight on.

My thoughts: If you are like me, you are probably wondering who ‘she’ is, as well as who ‘him’ is and what exactly went down. I gather that ‘she’ is Mae West but beyond that, I have no idea what the hell happened in this movie. There were so many guys in and out of her room that I couldn’t keep track of who was whom. I’m also not really sure about Lady Lou’s role in all of this because she seemed to have a boyfriend (?) and he seemed cool with her many guy friends (or suitors), but then there was an escaped convict that she also used to be with, so there’s that. And Cary Grant played Captain Cummings, a straight laced man who worked for the Salvation Army, but was actually a detective. And there were these Russians that had a prostitution ring going on, except that their accents came off as Irish rather than Russian so I kept expecting them to also be in disguise somehow.

So, the plot is needlessly complicated, and the acting didn’t redeem the movie all that much. Don’t get me wrong, Mae West was really good and I loved her voice, but even that schtick got a little old. Cary Grant was cute but the character was pretty bland, bordering on jerk because at the end of the film he ‘arrests’ Lady Lou, only to propose to her in the carriage on the way to jail. This was the most confusing part of all because Captain Cummings JUST finished arresting a whole slew of former suitors so he knew what he was getting into, but I guess he felt it would be different this time around. So is he the ‘him’ in She Done Him Wrong?? No clue, and I feel I’ve written about this movie longer than it deserves.

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Final review: 2/5.

Up next: 42nd Street

#180- Le Million

Quick recap: A man loses a million dollar lottery ticket, which sucks for him because he told all of his creditors that he is rich now and can afford to pay his debts.

those are his creditors dancing for joy because this guy was kind of a jerk and apparently owed a ton of money

those are his creditors dancing for joy because this guy was kind of a jerk and apparently owed a ton of money

Fun (?) fact:  Nothing. Zip. Nada. First time in 180 movies that the trivia page on IMDb was empty, but it’s bound to have happened at some point.

My thoughts: The fact that I had such a hard time finding anything out about Le Million says a lot. It wasn’t a good or bad movie. It just was. For a movie made in 1931, I was most impressed by the sound quality, which is the reason, I think, for including it in The List. The songs (yes, this was a musical) were catchy, although they kind of drifted in and out through the movie, never really beginning and never really ending. It was weird, but also made the movie’s events seem more plausible, almost as if it was a dream.

One of the reasons I didn’t really embrace Le Million is because of the characters. Michel is the jerk who lost the lottery ticket. He’s a penniless artist who has a fiancée but also sees girls on the side, which she totally knows about but refuses to break it off. Classy guy, that one. His friend (or rival?) Prosper is not much better and challenges Michel that if he finds the ticket, he gets half of the fortune. There’s also a mob guy, Grandpa Tulip, who takes the jacket that the ticket was in, and then the opera singer, Ambrosio, who buys the jacket and refuses to return it. I spent most of the film trying to figure out whether I wanted Michel to find the ticket or not, but ultimately rooted for him because his fiancée Béatrice was the one who gave the jacket away initially and I wanted something good to happen to her.

Looking on the positive side, although I can’t really say that I ‘enjoyed’ myself, I certainly wasn’t bored. I never laughed at any of the funny parts but I recognized that they were supposed to be funny, if that’s a thing. One scene in particular stood out: when the opera singer is on stage and Michel sneaks on to take the jacket. It had many elements of Moulin Rouge, including the way the audience was seated. I couldn’t find anything online, but I’m curious if Le Million inspired Baz Luhrmann in any way. It’s also possible that I see Moulin Rouge in practically everything.

Final review: 2/5. A very ‘meh’ movie.

Up next: The Ballad of Narayama