#245- Akira

Quick recap: In Neo Tokyo,A teenage motorcycle club fights the government, who have taken their friend and turned him into a dangerous psychopath.

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Teenage biker gangs are the worst

Fun (?) fact: The film takes place in 2019, as Neo Tokyo is set to host the Summer Olympics. As ultimate proof the IOC all secretly love anime, Tokyo is actually hosting the Summer Olympics in 2020. Either that, or they know the world will be ending very soon.

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My thoughts: 5 minutes into Akira and my only thoughts were, ‘what the hell am I watching?’ and ‘Can I just watch this forever?’. To say this was an amazing experience is an understatement. As I drove home after the movie (I watched it at the Drafthouse) all I could think was that this movie changed my life somehow, even though I can’t explain in what way.

I’m not by any stretch of the imagination an ‘anime’ fan, although I did once buy the Cowboy Bebop Blue album because I was going through an especially bad breakup. After watching Akira, I GET it. Something this complex can’t be told through traditional means and anime is perfect for weaving in ridiculous plot points with achingly human experiences. I’m intentionally vague about the plot because there are just so many layers there. I went in thinking this was going to be some fluffy guy film about racing motorcycles and found that it was so much more.

Everything in Akira is over the top- the music, the plot, and especially the visuals. I can not believe this was made in 1988 because there are many shots that seem impossible without the aid of computer graphics. There were several really creepy scenes, which, as mentioned above, I won’t get into, but it gave me nightmares later on. I’m also a wimp, so take that into account. I have no idea if this movie is for everyone, but if you are in the least bit interested in anime, this is a hell of a way to get acquainted with the genre.

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Final review: 5/5

Up next: Foolish Wives

#243-E.T. the Extra-Terrestrial

Quick recap:

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I remember another gentle visitor from the heavens. Who came to earth… and then died… only to be brought back to life again. And his name was: E.T., the extra-terrestrial. I love that little guy.

Fun (?) fact: E.T. is actually a plant-like creature and neither female or male

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This might be my new favorite reaction gif

My thoughts: This movie has been a favorite of mine for as long as I can remember. Back when VCRs were hella expensive, Three-year-old Me would carry around the VHS tape everywhere I went on the off chance someone would feel sorry for me and let me watch it. It wasn’t until I ended up in the hospital when I was 5, that I finally got my hands on a VCR proving that a) sometimes you have to go to extremes to get what you want  and b) Chicken Pox is no laughing matter.

I’ve sat through E.T a handful of times as an adult and each time I’m amazed by how much the movie still affects me. I choked up as always during the scene when E.T and Elliott are in the bathroom dying, but there was this added layer to the movie where I identified more with the mom than I have in other viewings. It was almost as if I was watching something for the first time, noticing what the mom is going through as she deals with a separation on top of taking care of three kids, one of whom brings in an alien that almost kills him. It’s a lot to take in and though she doesn’t always handle things perfectly, she sees the bond Elliott and E.T have and she respects it, even though the consequences are so serious.

On paper, this movie looks like it would be a major train wreck. This kind of cutesy-buddy story about an alien and boy just doesn’t work most of the time, as evidenced by the many copycats that came after *ahem* Mac and Me. But throw in Spielberg and John Williams and you are at least heading in the right direction. There are so many iconic scenes in this movie- the bikes flying in the air, E.T and his glowing finger, and the score is still my favorite from everything Williams has done. I don’t know how an adult might react to viewing this film for the first time, although I can predict that it would probably be negative. The film itself is shot through the perspective of a young boy because it is a movie meant for children. It meant so much to me as a kid and I carried those lessons with me through adulthood.

Final review: 5/5

Up next: The Last Wave

 

#233- Ghostbusters

Quick recap: Three professors start a business trapping ghosts because, as we all know, bustin’ makes you feel good!

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Fun (?) fact: The bookcase that fell over in the beginning of the film was an accident but was kept in the movie ‘to add mystery’.

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Venkman’s animated self creeps me out a bit, tbh

My thoughts: Being a #80s/90skid, my three favorite movies growing up were: 1) E.T 2) The Little Mermaid and 3) Ghostbusters. Now that I have a 6 year old, nothing makes me happier than being able to share with him things I loved, even if he doesn’t quite get it at first:

In the beginning of the film as Venkman is testing students for telepathic abilites:

B: Wow, that girl can read minds!

Me: No, Venkman is pretending that she can because he wants to date her.

B: So…..she’s the ghost?

Suffice to say, this kid was dying to see some ghosts. Naturally, because that’s how life works, I never noticed how many ‘adult’ jokes were in the movie when I was little  so it was a little awkward sitting through a few scenes. Nonetheless, he seemed to enjoy the movie and I later heard him pretending to be a Ghostbuster in the bath, so I guess I don’t always suck at this parenting thing.

It surprised me how much of this movie is carried by Bill Murray. He’s hilarious, of course, and the other guys are good, but it’s Murray that does it for me. Knowing that most of his lines were ad libbed makes me appreciate the humor even more. Rick Moranis was much funnier than I remembered, especially the scene at his party. There are so many moments I loved and so many great quotes, but the plot itself was a little meh. Personally, I much prefer the plot of Ghostbusters 2, although it lacks a bit in the jokes department.

It makes me happy that a childhood favorite has held up so well after all these years and I’m glad I got to pass it on to the next generation.

Final review: 4/5

Up next: Lola

#226- Amadeus

Thank you to Josh for recommending the movie, thus ensuring that I have ‘Marriage of Figaro’ stuck in my head for many days to come .

Quick recap: The incredibly sad story of Wolfgang Amadeus Mozart, as told by the guy who hated him most.

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Fun (?) fact: Director Milos Forman didn’t even bother having the actors use an accent in the movie because he wanted them to focus on their characters. It almost makes me feel bad to think about all the things I said about Tom Cruise and his lack of accent in the movie Valkyrie. Almost.

 

My thoughts: Of course I loved Amadeus. I may not get the point of Who Framed Roger Rabbit? , but I’m not a complete monster. Then again, I also uploaded a video of the Bloodhound Gang, so let’s just say I break even and move on.

The very first thing I did after finishing the movie was head over to Wikipedia to see how much of Amadeus was true and it turns out- it’s actually rather accurate. Of course there are scenes that probably didn’t take place, but seeing as how the movie is about a guy who lived over two hundred years ago, it’s a little difficult to pin facts down. Most scholars believe that Salieri didn’t really hate Mozart all that much, although they certainly weren’t BFFs or anything. It’s this detail that keeps me from embracing the film completely, although I certainly understand the reasoning of having a villain. Man versus Himself is much harder to portray on film, even though it is closer to the truth. Mozart was a genius and he knew it, and I think that’s what ultimately did him in- that he saw the genius in himself when others didn’t. I mean, he was celebrated while he was alive, but he also died penniless and was buried in a pauper’s grave. As for Salieri, the film does an excellent job painting him as a villain, but also someone that, although it is uncomfortable, we can relate to as an audience. Jealousy is an ugly thing and also something we all wrestle with.

What I loved most about the film, I think, was the way the music was woven into different scenes. Not only did I get to see snippets of some of his operas but I was also able to experience the music as it related to who he was. I’m by no means a genius composer (or AM I?) but I am consumed by music from the time I get up until I go to sleep and sometimes even while I sleep. The music I listen to is not a hobby, it is who I am. I have a playlist on Spotify that if you listen to it chronologically, it tells a story of me and all that has happened the past few years. In Amadeus, Mozart gets so obsessed with Requiem that it almost kills him. He didn’t just compose the music, he WAS the music and the two could never be separated.

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Final review: 5/5.

Up next: Oh, Voyager