#174- The Matrix

Quick recap: This is not the real world. The world you live in is just a computer program and we are all slaves.  Happy Tuesday!

Stop collaborate and listen

Stop. Collaborate and listen

Fun (?) fact: It isn’t until the very end that Keanu Reeves speaks more than five lines of dialogue in a row.

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My thoughts: Picture it: The year was 2000 and my small town had just caught Matrix fever. It was one of those movies everyone could agree was awesome. Whether it was about the fight scenes, the deep philosophy, or the very obvious religious message, it was near impossible to find someone who didn’t like it. I myself was a huge fan for many years and even saw the sequels, which I would later come to regret. So, how does the movie stack up 15 years later?

In short, it doesn’t. Everything I remembered was there, but I am now looking at it as an adult, not some sheltered kid. The most obvious difference from 15 year old me is that I would absolutely take the blue pill. The scenes of the people being grown in pods were frightening, but only if you know about them. This world may be the Matrix, but it is my Matrix and it’s pretty nice. Ignorance is bliss, I suppose. So this time around, I guiltily found myself identifying with Neo as he is trying to come to grasp of this terrible truth, and even more so with Cypher who wanted to remember nothing. I mean, saving the world is cool and admirable and all, but not so much if no one really wants it.

The fight scenes were still pretty cool and I was surprised by how well they have held up. This was the part I was expecting to let me down the most and it ended up being my favorite part of an otherwise (now) disappointing movie.

Finally, what surprised (and angered) me most was Trinity’s storyline. Here we have a badass chick, willing to risk her very life for the cause she believes in. Except that, really, she’s just in love. Why the hell is there a love story? Of all the cool things that could’ve happened, Trinity is reduced to a love story. It’s even her destiny to be in love with Neo. I don’t remember my thoughts at the time I first watched this, but now it seems like such a blatantly bad idea. Was the reasoning to put that in there so girls could like the movie? Or was it to cement Neo’s legacy? Either way, gross.

speed-bus

Final review: 3/5. I feel that it’s important to note the cultural impact this movie had, even though I didn’t get much out of it now. I caught myself saying ‘glitch in the system’ just the other day, so it has become ingrained in me to some extent.

Up next: Raging Bull

#157- Swing Time

Quick recap: A dancer, Lucky Garnett, moves to New York City in order to raise $25,000 to marry his fiancée. Instead he ends up falling for his dance partner and making a huge mess, although no one seems to care in the end.

and a little Blackface thrown in for good measure.

and a little Blackface thrown in for good measure.

Fun (?) fact: During the scene where Lucky sings ‘The Way You Look Tonight’, Penny (played by Ginger Roberts) can be seen washing her hair. After several attempts using egg whites, shampoo and various other ingredients, the director settled on whipped cream since it didn’t run down her face so quickly.

My thoughts: After being pleasantly surprised by Singin’ in the Rain, and maybe swooning a bit over Gene Kelly, I’ve wanted to see something by Fred Astaire. While both are talented beyond measure, it is Astaire who I have always thought of as the classier of the two, more likely to be found waltzing in a ballroom than tap dancing on top of some piano. I’m not sure if that belief still holds true after watching Swing Time, but Astaire is definitely classy.

Swooning may have happened a few times

Swooning may have happened a few times

When people sat down to watch this movie in the 30s, most people weren’t too concerned with the plot. Throughout the course of their career, Astaire and Roberts made a total of 10 films together so I’m not really sure how many scenarios there could possibly be for the two of them to dance and fall in love. At any rate, people came for the dancing and musical numbers. Think of it like porn, the 1936 version. I got a little confused at times as to what exactly was going on because I felt like I was watching an I Love Lucy episode rather than a movie. The chemistry between the two of them felt real, however, and charmed me despite the ridiculousness of it all.

Oh my god, the dancing. THAT is what it is all about. The first time the two of them dance is magical and I could watch it a million times without getting tired. These numbers, especially ‘Never Gonna Dance’ is what I think of when I think of Old Hollywood- ballroom dresses, tuxedos, diamonds. It’s just beautiful. I can’t imagine all the hours and pain the two of them went through to film this, yet they do the dances so effortlessly, like they were taking a stroll. The musical numbers themselves were catchy. Overall, a wonderful experience to see something like this.

Final review: 3/5. If it was just the dancing and singing I would have given it a 5, but the end of the movie is mainly everyone laughing for 10 minutes straight and the whole thing seemed ridiculous. Also, Fred Astaire’s character was kind of a jerk to Penny, in the 30s way of how men treated women.

Up next: Terminator 2

#155- The House is Black

Quick recap: Lepers! They’re just like us! They eat, play with friends and have bricks stacked on top of their hands in an effort to relieve stiffening joints. So much like us, those lepers.

Bart: At Sunday school, they said the lepers were cured by some bearded dude. Homer: Jesus? Bart: Yeah, that sounds right.

Bart: At Sunday school, they said the lepers were cured by some bearded dude.
Homer: Jesus?
Bart: Yeah, that sounds right.

Fun (?) fact: Leprosy can be spread to humans from armadillos. Now I don’t feel so bad about all the ones I have hit in the past, and believe me, there were MANY.

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My thoughts: There really isn’t much to say about this film, partly because it’s so short and partly because it’s just footage of people with leprosy so I’ll  just look like a jerk if I make fun of them.  Along with the footage, the director reads her own poetry as well as a few bible verses thrown in for good measure. Most of the time it felt like I was back in the church I grew up in, watching a promo video from some missionary needing sponsorship. At any minute I thought some preacher was going to pop up and in his thick southern accent, beg us to ‘please think of the children’. I’m just thankful there wasn’t inspirational music in the background or it might’ve been too difficult to hold back snark.

Despite what I just wrote, I never felt like The House is Black was exploitive. The people living in the colony seemed truly happy and it made me especially glad to see a team of doctors and nurses taking care of them. I always thought people in leper colonies were cast off and forced to survive on their own but that’s apparently not true for everyone. The podcast Stuff you Should Know did an excellent show about leprosy a few months ago and it was there that I learned how tightly knit these groups can be. There was a famous example of a colony in Hawaii where, even after it was closed, people chose to stay because it was their home. I also learned that the disease is curable although its disfiguring effects can not be reversed. As sad as these colonies seem to us, they are able to provide a somewhat loving, normal life.

The scene that kind of derailed the movie was at the end when the teacher asked his students such enlightening questions such as ‘name something good (friends, play time)’ and then ‘name something ugly  (hand, foot)’. What the hell kind of lesson is this? And then he asks one of the children to explain why parents are important and the kid answers that he doesn’t know because HE DOESN’T HAVE ANY. Jeez. The title of the film comes from the teacher asking a man to write a sentence using the word ‘house’ and the man comes up with ‘the house is black’. So I guess they were studying grammar or ‘phrases you can use to totally make westerners feel even more sorry for you than they already do.’

MRW someone asks a stupid question.

MRW someone asks a stupid question.

Final review: 3/5.

Up next: Sex,Lies and Videotape

#154- The Terminator

Quick recap: A cyborg, played by the former governor of California (what a country!), travels back to the 1980s to assassinate Sarah Connor, whose unborn son will one day secure a victory against the machines and save humanity.

The Terminator also murders Bill Paxton, so he can't be all that bad.

The Terminator also murders Bill Paxton, so he can’t be all that bad.

Fun (?) fact: O.J. Simpson was considered for the title role, but producers felt that he was ‘too nice’.

I for one welcome our new cyborg overlords

I for one welcome our new cyborg overlords

My thoughts: I have never seen The Terminator before ,although it is one of those movies that is so iconic it felt like I’ve watched it dozens of times. I tend to reject movies that have been gendered into ‘guy movies’ and ‘ girl movies’ because I feel it alienates people that might otherwise enjoy something if it hadn’t been labeled as such.

On the other hand, The Terminator is totally a ‘guy movie’. Not that there is anything wrong with that, of course. I am not a guy and I still enjoyed it, although the action sequences were a little too violent for my taste. I was very interested in the dystopian future (FYI 14 years from now) and also trying to figure out the whole time travel thing. Kyle Reese is from the future to protect Sarah Connor so that she may one day give birth to John Connor, the humanity’s savior. But he also travels back in time because he is totally in love with her and subsequently, they conceive the baby. Everything becomes all wibbly wobbly timey wimey at this point and it hurt my brain to think about it too much.

I think what impressed me most about The Terminator were the special effects. If I hadn’t been watching this with my husband, who apparently knows this movie very well,I would’ve missed most of this stuff because, it being 2015, I sometimes forget that computers haven’t always been around. The scene where the terminator takes out his eye is both gross and awesome.

I lost focus towards the end because it became more of a ‘just die, already’ sort of thing, with the terminator having been reduced to nothing more than a metal skeleton. It sort of reminded me of the black night in Monty Python, which was probably not what the director was going for.

'tis but a scratch

’tis but a scratch

Final review: 3/5. I get bored by constant gunfights, but I’m hoping the sequel will be better.

Up next: The House is Black