#221- The Good, the Bad and the Ugly

Quick recap: 3 men (the good, the bad and the ugly) go after a large sum of money buried in a cemetery.

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No wagon painting, thank god

Fun (?) fact: From IMDb: “The skeleton found by Tuco inside the wrong coffin at Sad Hill cemetery, was a real human skeleton. A deceased Spanish actress wrote in her will she wanted to act even after her death.”

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I know that Clint Eastwood is basically Grandpa Simpson these days but a long time ago……YES, PLEASE.

My thoughts: Whereas before, my relationship with Westerns was ‘friends with benefits’ bordering on a breakup, I think we are now in the ‘It’s Complicated’ era. One movie can’t undo the psychological trauma inflicted on me from past films (I’m looking at you, El Topo), but The Good, the Bad and the Ugly certainly help heal some wounds. And by The Good, the Bad and the Ugly, what I really mean is Clint Eastwood.

Honestly, all of the acting was top notch and I felt like I was watching an actual western and not just Marlon Brando making me feel uncomfortable. Sure, it was over the top with tropes and long drawls, but that’s just what I want. And, like I said, it was Clint Eastwood that made the film. I’m not sure why he was necessarily the good guy, but he certainly killed less than the other two main characters which I think practically makes him a saint or something. I won’t spoil the ending because I’m cool like that, but I love the way he solved everything. And his eyes. Have I mentioned that I love his eyes? Sigh.

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cowboys aren’t my thing but Clint Eastwood is making me feel…things.

The story for The Good, the Bad and the Ugly is very basic- 3 guys fighting over money. And the characters themselves are whittled down to their basic traits, but it all works somehow. A movie doesn’t have to be complicated or even try to make a point in order to be classic. I enjoyed every minute and would gladly watch it again. Plus, the showdown at the end (come on, you knew that was going to happen) filled in several pop culture holes, which is always nice.

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Final review: 5/5

Up next: Se7en- where I finally find out what’s in the box!

 

#220-One-Eyed Jacks

Quick recap: Marlon Brando in a Western, doing Western stuff.

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Not that One-Eyed Jacks

Fun (!) fact: Marlon Brando replaced Stanley Kubrick as director and shot 6 times the footage that he needed. This ended up being his only directorial role, which he said was too much work. Considering he spent hours staring at the waves waiting for a perfect shot, he might’ve been doing it wrong? I’ve never directed anything so I guess I can’t say much.

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He wore this scarf the whole time and although I think it looks fierce, it kind of looked odd in a Western setting

My thoughts: I’m beginning to not like Westerns. I remember watching Shane for the first time, bright-eyed and bushy tailed at the prospect of a new genre to potentially love. It disappointed me in ways that I’m still not comfortable talking about in public, but I continued on, determined to find something to latch on to. Red River wasn’t as bad as Shane, but was still a disappointment. There were some other pseudo-Westerns thrown in between these movies but I wanted more.Something authentic. Something gritty. Something…not Marlon Brando.

Marlon Brando didn’t necessarily do a bad job in One-Eyed Jacks, but he laid on the ‘vengeance’ thing a little thick. Most of the time he reminded me of a sullen teenager whose mom has taken him to JC Penny’s to buy clothes when he would much rather be at Hot Topic. There is one scene in particular after he escapes from prison in which he rolls his eyes THE ENTIRE TIME. His hat is pushed so far down into his face but you can still see the whites of his eyes. It looked creepy and made me wonder if that whole thing about ‘if you roll your eyes enough, they are going to get stuck like that’ thing was true.

Another thing One-Eyed Jacks lacked was subtlety. In the story, Rio (played by Brando) is a robber, along with his best friend Dad. Yup. Dad. So after one heist, Dad takes the money and leaves Rio to be caught. He is thrown in prison, escapes after 5 years. When he gets out, he learns that Dad ( I KNOW) is now the sheriff of a town and has turned into a model citizen. The two meet again with Dad trying to teach Rio a lesson and help him repent of his stealing ways. In comes the whipping scene. After shooting a guy, Dad strips Rio’s shirt off and whips him for a few minutes. If you think this sounds a little erotic…….it totally does. I was both repulsed and intrigued.

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As we later find out, Rio has knocked up Dad’s Step-daughter ( just go with it). He now has to make a choice whether to continue his vengeance or let it go and be with the woman he loves (and knocked up). I won’t spoil the ending, although I really suggest not watching this movie, but let’s just say that Rio has his cake and eats it too. And by cake, I mean that he kills Dad and rides off into the sunset with the girl. Oops.

Final review: 1/5. Please don’t watch One-Eyed Jacks. Might I suggest an episode of Twin Peaks instead?

Up next: The Good, The Bad and the Ugly………..another Western

#219- In the Year of the Pig

Quick recap: War is hell, you guys.

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Fun (?) fact: Nope. Sorry.

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My thoughts: the Vietnam War was bullshit. I already knew that before watching In the Year of the Pig, but the documentary helped me understand more about how we get there in the first place.

That previous line was also bullshit, I’m sorry to say. I still have no idea why the US got involved. I mean, I do at a factual level but logically, it still doesn’t make sense. This film was released in 1968 when we were right in the middle of the war and it pissed off a lot of people because it raised questions. In 2015, I wasn’t shocked by anything revealed in the interviews, but what left an impression on me was the parallel between Vietnam and Iraq War.

And now it’s time for Mary Gets On Her Soapbox:

The Iraq war is/was also bullshit. We shouldn’t have been there but we went anyway because of fear and bad intelligence. And we are about to be in another pointless battle if people continue fearing what they don’t understand.

Back to the review- The hardest part of the whole film was seeing all of the innocent people involved. It’s very easy to look at what the soldiers said about the villagers as condescending and dehumanizing, but I don’t blame them. They didn’t understand why they were there either, and having sympathy for the ‘enemy’, which they were taught was everywhere, would get someone killed. Still, this movie wasn’t afraid to show the reality of war and that our actions, no matter how we tried to justify them, had devastating consequences.

Final review: 3/5. If you love history, check it out. If you hate war, check it out.

Up next: One-Eyed Jacks, which will sadly have nothing to do with Twin Peaks.

 

 

#218- Detour

Quick Recap: There are many reasons why hitchhiking is a bad idea, one of them being that you might be accused of murder.

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Or it might be Rodney Dangerfield. You just never know!

Fun (?) fact: Tom Neal, who played the main character Al, was convicted of killing his wife in 1965. I’d add something witty here, but that’s just sad and Tom Neal was an asshole.

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Tom Neal is an example of someone you wouldn’t want to pick up.

My thoughts: As I have most likely mentioned before (but am currently too lazy to verify), I have an extreme fear of being accused of a crime I didn’t commit. There are some people who go so far as to save all their receipts for the sole purpose of having an alibi in case they are in a situation that would warrant it, but (as mentioned before) I’m too lazy to do that. Plus, knowing my luck, if I did keep all of my receipts and was accused of a crime, the prosecution would probably use that as evidence that not only was I guilty, but that it was premeditated. And exhibit B would probably be this entire paragraph, so it’s for the best that I get on with the review and stop incriminating myself.

So…..Detour. IMDb calls this film one of the best B-movies ever made, which, on the surface sounds like an oxymoron. I get it, though. Director Edgar G.Ulmer had a very small budget and instead of trying to create what would’ve been really bad scenery, he just had fun with it. Case in point, the beginning of the movie shows Al hitchhiking his way west and later heading east. There wasn’t a budget to show both directions, so Ulmer simply reversed the film. The result is Al hitching with his left thumb and riding in cars where the driver is on the right side. There are also many scenes where Al is staring off into the distance as his voice explains what he is thinking. Low budget, yes, but the story is simple enough to have not needed an expensive set.

The main plot of the film is about as outlandish as you might expect: Al hitchhikes to LA to reunite with his girlfriend and along the way gets picked up by a really rich guy. The rich guy dies and Al realizes that if he calls the police, it’s going to look really suspicious. So he instead buries the body, switches identities and continues on his way. Being the idiot that he is, Al picks up his own hitchhiker, who just happens to be a woman that knew the dead rich guy and now she is in on what happened. The two fight about what to do and in one of the best (worst?) scenes I’ve encountered on this list, the woman locks herself in a hotel room to call the police on Al. On the other side of the door, Al pulls as hard as he can on the phone cord and when that doesn’t work, kicks down the door. That’s when he finds the cord wrapped around the woman’s neck and she too is dead. Rotten luck, indeed. It’s such a wonderfully silly story, but somehow, it works. The acting wasn’t great but it didn’t need to be to get the point across.

Final review: 4/5. And thanks to the Hayes code which stipulates that murderers aren’t allowed to get away with their crimes, Al is picked up at the end of the movie and brought to justice.

Up next: The Good, The Bad, and The Ugly