#259- Paris, Texas

Quick recap: Travis Henderson (played by Harry Dean Stanton) is a man who has lost everything. With help from his brother, Travis slowly acclimates back into society and hatches a plan to reunite with his son and wife.

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Fun (?) fact: A Scottish band named ‘Texas’ took their name from this movie and a Scottish band named ‘Travis’ took their name from the main character.

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My thoughts: Oh my god, I want to go to West Texas. I say that a lot, but this time I’m super serious, you guys. Watching Paris, Texas brought about this wanderlust that I haven’t felt in a long time- like, since a week ago. Will it actually make me load the car and set out on an adventure? Probably not, until the next time I watch something beautiful and then I’ll start the process all over again.

So, yeah, this film is perfect to just stare at. In the least pretentious way I can put this, every scene is a masterpiece. Every conversation, every person staring off into the distance, every lingering hug felt Important and Meaningful, even when maybe it wasn’t. This is one of those movies I could see myself putting on when I’ve had a bad day and just want something pretty to take my mind off of things. According to the IMDb trivia section, Kurt Cobain and Elliot Smith considered this movie to be their favorite and I can totally see why.

That’s not to say I was enamored with the plot, though. My biggest issue is the treatment with the 8 year old, Hunter. I get that Travis wanted his family back and it’s great that at the end he realized that this wasn’t the way to go about it, but who the hell leaves their kid by himself in the middle of Houston?? Now, I live in Houston and I think it’s a wonderful place, but that’s just crazy. No amount of well intentioned hipster self-discovery is going to change that. The director wanted me to identify with the protagonist but Realistic Me just couldn’t see past what Travis was doing to that little boy. And believe me, I teared up when Hunter reunited with his mom but what if she didn’t want to see him? It’s like, ‘ I know you left your kid 4 years ago because you couldn’t handle parenting and now you work in a strip club in Houston, but surprise! Here’s your kid again and I’m going to disappear for you to figure it out all over again!’ What an ending.

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Final review: 3/5

Up next: Rashomon

 

#258-The Bridge on the River Kwai

Quick recap: A group of PoWs build a bridge in a Japanese camp while another group of British soldiers make plans to blow the whole thing up. It sounds much more wacky than it actually was, sorry to say.

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Elephants helped build the bridge and took breaks whenever they damn well pleased.

Fun (?) fact: The story is loosely based on the relationship between Lt. Col. Toosey and Maj. Risaburo Saito, who was actually a reasonable guy. Toosey defended him during the war crimes tribunal and after he died, Saito went to England to visit his grave.

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Lt. Col. Toosey, whom the character Col. Nicholson is based on

My thoughts: War is hell, man. This is the thought I had not while watching the movie, but earlier today as I was scrolling through pictures of actual PoW camps from WWII. Not that I expected a film made in 1957 to be so realistic, but looking at a photo of the character Shears, with his muscles upon muscles and golden skin tone from hours of manual labor, next to a photo of a real PoW, all skin and bones, it startled me, to say the least. And, maybe unfairly, took away somewhat from what I had been feeling about the film.

The Bridge on the River Kwai is based loosely on real life, so I can’t down the tone too much. In the film, Col. Nicholson is the leader every soldier wants. He’s a rule follower to the point of risking his life to do what’s right and it pays off for him and his men. He eventually convinces Col. Saito, head of the Japanese camp ,to allow Nicholson and his officers to take over constructing the bridge, because it just so happens that a few of the men are engineers. It’s oddly convenient, but this is supposed to be the inspiring tale to end all inspiring tales, so let’s just run with it. The British soldiers respond much better when they are aren’t constantly threatened with death and so the bridge is built just in time.

Meanwhile, British forces are planning on blowing up the very bridge the soldiers worked so hard to construct, because, like I’ve said, war is hell. Had the movie only focused on the soldiers, I would’ve written off the whole film as shmaltzy, patriotic entertainment, but adding this element of Allies essentially working against each other makes everything so much more complicated. I wanted to root for Shears, who escaped the camp in the beginning, only to come back to help destroy it, but I also really liked the eventual friendship between Saito and Nicholson. In the end, SPOILER ALERT the bridge gets destroyed and it felt like a defeat. That might not have been the purpose of the movie, but that’s what I’m taking away from it. It felt unfair for everyone because three of the British soldiers on this secret mission died, the bridge was blown up and the train that the Japanese sent would’ve been used to transport sick soldiers to another camp. So, not all the heartwarming when you think about it. All I learned from this movie is that there are never any easy decisions in war and the decisions you think you are making for the good of many, might not be good after all.

Final review: 4/5. Alec Guiness as Col. Nicholson is worth watching for his role alone.

Up next: Paris, Texas

 

 

#256- Blow-Up

Quick recap: A photographer believes he has witnessed a murder as evidenced by close ups of photos he recently shot.

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Watching Blow-Up gave me a newfound appreciation for Austin Powers

Fun (?) fact: Blow-Up features a performance by the Yardbirds, back when both Jimmy Page and Jeff Beck were still in the band.

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The movie also basically brought about the end of the Production Code. The rating system was installed a couple of years later.

My thoughts: As noted above, Blow-Up was a huge influence on the Austin Powers movies, which I always thought just parodied James Bond. And Coppola’s The Conversation, one of my favorites,also plays homage to this film. On paper, Blow-Up has everything I could ever want in a movie, yet I just didn’t care for it very much.

Although it wasn’t my cup of tea, Blow-Up is a beautiful, complicated film and one that I think people should try out. Each scene felt like its own set of photographs pieced together, from the antique shop to the analysis of the pictures to the party. Everything was woven together beautifully and it added to the mystery of whether or not Thomas witnessed a murder. Thomas himself I didn’t care for, but I don’t think I was meant to. It makes more sense for him to be a pretentious artist whose work is so important that it solves murders. I won’t give away what I think about the reality of the body, but one of my favorite quotes from the film says it all:

‘They don’t mean anything when I do them…just a mess. afterwards I find something to hang on to…like that leg. Then it sorts itself out and adds up. It’s like finding a clue in a detective story.’

I can’t put a finger on why the film didn’t do much for me, which is frustrating. It might be because it is slow moving or maybe because there is no resolution, sort of like Two-Lane Blacktop. Or it could just be because I hate mimes. At any rate, if I watched it again with an audience, maybe in a theater, I might have a different opinion.

Final review: 3/5, although it really is an essential film to watch

Up next: She’s Gotta Have It

#255-Gold Diggers of 1933

Quick recap: Set during the Depression, a group of showgirls find work in a new Broadway play and new love with a mysterious benefactor.

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MRW it’s payday

Fun (?) fact: This movie is where the song ‘We’re In the Money’ comes from.

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Not even kidding, this creepy kid gave me nightmares

My thoughts: I think it’s best to start with a quotation of lyrics from one the most famous songs from this movie, so that you can better understand what I had to watch:

From ‘Pettin’ in the Park’:

Pettin’ in the park, (bad boy!) Pettin’ in the dark; (bad girl!) /First you pet a little, Let up a little, and they you get a little kiss/ Pettin’ on the sly, (oh my!) /Act a little shy: (Aw, why!)/ Struggle just a little/ Then hug a little/ And cuddle up and whisper this: /“Come on, I’ve been waiting long,/ Why don’t we get started? /Come on, maybe this is wrong, /But, gee, what of it? /We just love it.”

Yeah. And there’s a delightful scene where the girl in the show physically struggles but the guy continues to hold her tight. Then there’s a rainstorm and the girl gets soaked and has to change. She chooses to put on a metal dress to hopefully stop his advances, but nope! The creepy child from the gif above just happens to have a tin can opener which he uses to cut through the dress.

So, besides all the implied assault (and believe me, there’s A LOT), the movie just felt jumbled together. It’s supposed to be a movie about a broadway play (Fun!) and there are also crazy antics where the group of girls pretend to be gold diggers to piss off snotty rich men who hate love (fun!). But this is during the Depression after all, so the last song of the movie is about remembering our soldiers who marched off to war and who are now marching in bread lines, trying to survive (Bummer). And to be fair, there is a lot of talk about the Depression, so it wasn’t just thrown in, but there’s a ton of money thrown around in the play and instead of a song, why not use some of that money to help people rather than building a contraption that makes it rain and snow in the theater?

The love story between Polly and Brad was cute, but mostly because Dick Powell, who played Brad is quite the looker. His warbly voice kind of threw me off but I was smitten throughout most of the movie. The girls also seemed like a fun group, especially Trixie, and I think this would’ve been something I would’ve loved to watch over and over again in the 30s.

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I could do without the creepy kid though

Final review: Despite the fun I had, I’m going to go with a 3/5 because of the kid and because there were some really slow parts

Up next: Blow-Up