#255-Gold Diggers of 1933

Quick recap: Set during the Depression, a group of showgirls find work in a new Broadway play and new love with a mysterious benefactor.

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MRW it’s payday

Fun (?) fact: This movie is where the song ‘We’re In the Money’ comes from.

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Not even kidding, this creepy kid gave me nightmares

My thoughts: I think it’s best to start with a quotation of lyrics from one the most famous songs from this movie, so that you can better understand what I had to watch:

From ‘Pettin’ in the Park’:

Pettin’ in the park, (bad boy!) Pettin’ in the dark; (bad girl!) /First you pet a little, Let up a little, and they you get a little kiss/ Pettin’ on the sly, (oh my!) /Act a little shy: (Aw, why!)/ Struggle just a little/ Then hug a little/ And cuddle up and whisper this: /“Come on, I’ve been waiting long,/ Why don’t we get started? /Come on, maybe this is wrong, /But, gee, what of it? /We just love it.”

Yeah. And there’s a delightful scene where the girl in the show physically struggles but the guy continues to hold her tight. Then there’s a rainstorm and the girl gets soaked and has to change. She chooses to put on a metal dress to hopefully stop his advances, but nope! The creepy child from the gif above just happens to have a tin can opener which he uses to cut through the dress.

So, besides all the implied assault (and believe me, there’s A LOT), the movie just felt jumbled together. It’s supposed to be a movie about a broadway play (Fun!) and there are also crazy antics where the group of girls pretend to be gold diggers to piss off snotty rich men who hate love (fun!). But this is during the Depression after all, so the last song of the movie is about remembering our soldiers who marched off to war and who are now marching in bread lines, trying to survive (Bummer). And to be fair, there is a lot of talk about the Depression, so it wasn’t just thrown in, but there’s a ton of money thrown around in the play and instead of a song, why not use some of that money to help people rather than building a contraption that makes it rain and snow in the theater?

The love story between Polly and Brad was cute, but mostly because Dick Powell, who played Brad is quite the looker. His warbly voice kind of threw me off but I was smitten throughout most of the movie. The girls also seemed like a fun group, especially Trixie, and I think this would’ve been something I would’ve loved to watch over and over again in the 30s.

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I could do without the creepy kid though

Final review: Despite the fun I had, I’m going to go with a 3/5 because of the kid and because there were some really slow parts

Up next: Blow-Up

#254- The Jerk

Quick recap: A poor black child (played by Steve Martin) grows up to find fame and fortune, only to have it cruelly taken away.

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Fun (?) fact: The cat juggler (who looks awfully similar to Martin) is credited as being played by ‘Pig Eye Jackson’).

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Good ol’ Pig Eye

My thoughts: I’m not going to beat around the bush on this one: The Jerk was ridiculously funny and absurd and I’m kicking myself for not watching it sooner.

Some favorite scenes and/or quotes:

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He hates these cans!

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Shithead really put up with a lot

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Final review: 5/5. Should be a staple of anyone’s movie collection

Up next: Gold Diggers of 1933

#252- The Good, The Bad, The Weird

Quick recap: A train robber, bounty hunter and really bad guy are in a race to find buried treasure.

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He may be bad, but oh my god is he gorgeous!

Fun (?) fact: Although the movie is somewhat of an homage to spaghetti westerns, it more closely resembles a genre of Korean films called  a’Manchurian western’.

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My thoughts: Seeing as how The Good, The Bad and The Ugly is one of the best films I have watched lately, I was really interested to watch this one. I expected it to be somewhat of a parody with nods to the original version, but it’s really not. The two movies have a similar structure and plot, but, and I know this is blasphemy to some, I enjoyed this one so much more.

My favorite aspect of this movie is how complex the characters are. The Good guy isn’t all good, while the Bad guy is bad, but with reason to be. And The weird guy is funny and klutzy but also amazingly savage when needed. And these traits are seen mostly through the actions of the characters because there isn’t a ton of talking. There is a ton of violence in this movie which I loved watching because there is great mix of guns and martial arts. There were some ridiculous moments, but I think that is in line with the genres this movie was paying tribute to.

The Good, The Bad, The Weird is set in 1930s Manchuria but there is beautiful mix of modern elements as well as elements from the Wild West. The music is also amazing and blends everything together perfectly. Basically, I loved this movie from beginning to end and I’m a little disappointed more people don’t know about it. It’s kind of like the Amelie phenomenon, where that’s the only French film many people know so it automatically becomes their favorite. For Korean films, I think many people could identify The Host, but this one deserves just as much credit.

Final review: 5/5 of course

Up next: 12 Angry Men

#251- The Awful Truth

Quick recap: A couple divorces, due to perceived infidelity. They soon realize, however, how much they love each other and separately scheme a way to reunite.

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And there’s a dog! And there’s a Cary Grant!

Fun (?) fact: Most of the film was improvised. Director Leo McCarey would set up a situation, give a starting line and then see what the actors would come up with. It ended up working out beautifully but also sounds like a train wreck waiting to happen.

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My thoughts: First of all, if you have not done so yet, go and download the podcast ‘You Must Remember This’. It is phenomenal and listening to it has given me the energy I need to get through these older Hollywood films. There are a wide range of topics, but my favorite so far has been about the ‘golden age’ of Hollywood. And also the Manson murders, but that has nothing to do with this movie, I don’t think. Then again, there might be a 6 degrees Kevin Bacon game going on there that I don’t know about.

I have generally disliked movies from the 30s because so much of the acting has seemed like, well, acting. But The Awful Truth is a wonderful exception to this self-made stereotype, thank god. The first few minutes had me worried for a bit that this was going to be about rich white people with no personalities (which is still somehow a thing), but then Irene Dunne, as Lucy, walked in and I fell in love. The movie wastes no time in getting to the accusations of infidelity and I was so charmed by the banter between Lucy and Jerry, played by Grant. How charmed, you ask? Charmed enough to use the word charmed in a sentence! The two just seemed so natural together and obviously miserable apart. I’m not one for romance, but I was actively hoping they would get back together very soon.

I also loved The Awful Truth because it was so progressive for its time. Lucy is a strong woman on her own and I loved watching her match wits with Jerry. She kept getting in crazy situations, but not necessarily because she was a woman who didn’t know any better. And Jerry didn’t have that roughness men from the 30 seemed to have, where they might be romantic but underneath still knew they were in charge of the situation. He seemed genuinely in love with Lucy and hurt she would betray him. The last scene, too, was shockingly modern. After the two rekindle their relationship (c’mon, you knew that was coming), a clock is shown but instead of a cuckoo bird popping out, there is a miniature Jerry and Lucy emerging from separate doors. The little Jerry meets with little Lucy in the middle and then follows her to her side of the clock. It was a clever way to indicate hooking up and I’m impressed it was left in by the censors.

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Final review: 5/5

Up next: The Good, The Bad and The Weird